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This topic comprises 2 pages: 1 2
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Author
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Topic: Some Vintage DLP Cinema Pics
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Steve Kraus
Film God
Posts: 4094
From: Chicago, IL, USA
Registered: May 2000
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posted 04-24-2016 10:03 PM
I went to see a silent film presentation (off DVD presumably) at a wonderful small movie palace only about 40 minutes away that I was completely unaware of, the Hoosier Theatre in Whiting, Indiana.
Walked in and what should I see but this blast from the past, a first generation (1.2K) DLP system. I was like OMG!
For those unfamiliar, this is a separate projector head (the diagonal thing) and lamphouse. In those early days, the movie often came on a stack of DVD/R's that could take hours to load.
Seemed odd that this small theatre could have been on the cutting edge but the owner explained that the setup actually came out of an ILM screening room and they had hoped to use it to show alt content but it never really worked out. And now, of course, they are digital with a Christie + GDC setup.
And as long as I am dredging up DLP history, do you remember DPI (Digital Projection Inc.) as one of the DLP Cinema licensees? Neither does anyone else. They dropped out and NEC signed on. But here is a 2K projector head made by them and affectionately called "The Egg." Again, a separate lamphouse system. This was at Ebertfest 2007 at the Virginia Theatre (Champaign, IL) and provided by Jame Bond's Full Aperture Systems.
Bond wasn't sure but felt it may have been the only one in the country. Has anyone else seen one of these?
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Jack Ondracek
Film God
Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002
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posted 04-27-2016 10:28 AM
quote: Jim Cassedy I've been able to find very little technical info on the Boeing system online, but from what I have been able to scrounge up, it seems that Boeing mainly provided the encryption and satellite distribution technology. I'm not sure who built the projectors.
This was a VERY early concept, right? If this is what I heard about up here, it was short lived.
I was only aware of the distribution part. At the time, Boeing had a lot of unused bandwidth available, and content distribution seemed like a good prospect. Reality eventually set in and, after they worked out the logistics, the idea was scrapped. If encryption was part of the deal, I didn't hear of it. I don't think Boeing had anything to do with the projectors... and probably not directly with the exhibitors, either.
But... this was a long time ago, so there may be parts of this I've forgotten.
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