|
|
Author
|
Topic: Updating of servers
|
|
|
Carsten Kurz
Film God
Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009
|
posted 03-13-2018 06:57 AM
Hi Roy,
how many updates to your TDL do you currently process e.g. per day/month?
The problem is to analyze the abuse or risc potential.
I guess individual sites do not change their servers too often, but they still sum up at your end.
There had been a discussion about TDL databases a while back on the ISDCF mailing list, do you read this list?
There's an interesting question in it about how one actually authorizes oneself as the owner of the specific device that needs to be registered. So far, when we had changes, we just emailed those to companies like yours, nobody asked us to authorize ourselves. Now, usually there is little incentive to register a device/cert that you don't own so far, but, I could imagine scenarios where this comes up up as a problem. Also for second hand sales, there could or should be a 'request/confirm' transfer scheme, similar to those used to transfer domain names. Some time ago I talked to a german KDM distribution company, they told me they have an irritatingly high number of doubles or even triples in their database. Typically, servers transferred or sold second hand will receive a new registration, but they forget to unregister the old one. In theory, that's easy to handle, but in reality, you don't want to risc a server being thrown out of a specific site/circuit without confirmation. Now think 5 years ahead and imagine the situation then...
Another benefit of such interactive access is that not just a server serial or cert could be registered, but other aspects of a site/screen as well, like sound configuration (5.1/7.1/ATMOS), KDM email addresses, etc. could be updated quickly.
Some of your competitors offer such a web based database, however, last time I had been there, it didn't allow a full site/screen configuration.
- Carsten
| IP: Logged
|
|
Leo Enticknap
Film God
Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
|
posted 03-13-2018 07:48 AM
One thing to keep in mind is that changes of server often happen with little or no notice, as the result of a breakdown. I have swapped them out many times in situations whereby the media block or IMB has failed (usually because its battery has died), and the supplier of the replacement has not given us its serial number ahead of shipping. GDC are pretty good about doing this; the other manufacturers less so. Once it arrives on site, we need new KDMs within an hour or two to avoid lost shows.
Deluxe Technicolor are very good about this: they can often issue new KDMs within minutes, and it only takes them significantly longer if they're having problems contacting the owner of the movie for permission. Other distributors of encrypted DCPs range from OK to a nightmare to deal with in this situation.
This is why I advise everyone I make DCPs for against encryption, pointing out that if their movie is going to a festival on the other side of the world (for example), that they must be prepared for a call or email at 2am demanding a new KDM by 3 unless they want their screening to be canceled. If you've subcontracted your KDM management to one of the big boys (e.g. Deluxe Technicolor), they have the infrastructure to handle this. Smaller operators usually do not.
So in short, a system that allows a theater to re-KDM a movie online and without human interaction would potentially be very useful. It should also ideally enable a temporary server/media block category, so that you can tell the system that a given media block serial is only in use at your venue temporarily (e.g. a loaner while your unit is out for repair, or rental equipment brought in for a festival).
| IP: Logged
|
|
|
|
|
|
|
|
Carsten Kurz
Film God
Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009
|
posted 03-20-2018 03:29 PM
Hmm, 30-60 updates per day - that's quite a number. The interesting question is - how many of those requests can you direct to a self-service site effectively. Anyway, a customer portal is without a doubt useful. For changing/updating servers, screen configs, etc, for looking up KDMs that may have been lost e.g. due to virus scanners, mistakes, etc.
Maybe start something, then just see where it goes to. Have you been able to look into one of your competitors portals? If not, I could provide a few screenshots.
One thing that bothers me recently is that our primary kdm delivery address has become abused by spammers during the last years. That's annoying, since you don't want a spam filter to detect false positives on kdm mails. I wish I could change this email address to a new one, but that is venture on its own. Having an interactive system would be nice - even better when all companies would offer it.
One important issue from exhibitor perspective is to keep track of all kdm issueing companies/contacts that need to be notified of changes. In germany, we need to address about 8 different companies for a full update roundtrip. A friend recently nearly lost a show when a kdm he received on the day before a showing turned out to have been issued for his previous dolphin board.
Some cinemas report changes through their studios/distributors. I prefer to contact the kdm service companies directly.
I think we ourselves are pretty well organized, but it needs a bit of discipline and IT skills to keep everything current.
- Carsten
| IP: Logged
|
|
|
|
Carsten Kurz
Film God
Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009
|
posted 03-20-2018 04:33 PM
We get our kdms from many different companies, and we did have changes of sender addresses occasionally. That said, whitelisting would still help...
The trouble is, we have different systems that touch our kdm mail - our mail server, our mail client, our antivirus program. The antivirus does not support whitelisting and will sometimes sort out emails when they contain ZIPs.
@Harold: I think TKR is still worked on. I think on a recent EDCF meeting, someone had done a site survey and found out that many servers are cut off the internet by firewalls. Many exhibitors do not even want their DCI systems to establish outgoing connections. Actually we do this ourselves. When we disable this rule, our router log tells us that our server creates a few megabytes of outgoing traffic per day - we don't know yet what it is. Need to do some wiresharking I guess (and hopefully understand the data...)
So, I guess for many exhibitors, a TKR client running on a general purpose computer would probably be more attractive. Then, this brings you closer to a TMS which collects and pushes KDMs for you. Low screen count sites do not have to deal with so many KDMs, and probably also like the idea that the individual email based kdm handling means not just work, but also some human control/feedback. While our kdm count per week is rather low, I would still love to have a system that unpacks all kdms from incoming emails and writes them into a specified folder. I guess some mail programs/OS's can do that with some scripting.
- Carsten
| IP: Logged
|
|
|
|
All times are Central (GMT -6:00)
|
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|