Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Christie Solaria One and JBL60 no sound issue (Page 1)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Christie Solaria One and JBL60 no sound issue
Ronda Fitzsimmons
Film Handler

Posts: 75
From: Pottstown, PA, USA
Registered: Sep 2002


 - posted 08-27-2018 05:11 PM      Profile for Ronda Fitzsimmons   Author's Homepage   Email Ronda Fitzsimmons   Send New Private Message       Edit/Delete Post 
We are having trouble which even Christie can't seem to diagnose (two months and counting, including 11 hours onsite tech), and I thought I'd ask this fine group of folks if you have any ideas. We have no sound in one house if the film or file is interop. Plays smpte just fine. We've done everything we can think of to correct the issue - 4 IMB replacements, full software replacement, remapped the channels, moved sound processor (issue stays with the projector), changed cat 6 cable... Many things have been suggested by Christie, nothing so far has worked. These are version 1 plain jane Solaria One projectors. Any ideas? Thanks in advance for any suggestions.

 |  IP: Logged

Martin McCaffery
Film God

Posts: 2481
From: Montgomery, AL
Registered: Jun 99


 - posted 08-27-2018 05:20 PM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
Did you have sound before and lose it, or never have it?

This sounds similar my problem of not having IOP VI, but SMPTE VI is fine. Still not solved.

Is it possible the AES3 cable is not wired properly?

 |  IP: Logged

Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 08-27-2018 05:45 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
Did you compare the channel and speaker mapping settings of the IMB-S2 between this and another, functioning screen? It is hard to believe, though, that, after support and tech have spent so much time on it, that the reason would be something obvious or stupid?!

Personally, I would backup this system setting, one from a working system, and restore a working setup to this problematic one to see wether something changes.

When you activate the Test button for a specific channel - do you hear the test tone on all channels? Then when you play an Interop feature, all are silent?

- Carsten

 |  IP: Logged

Ronda Fitzsimmons
Film Handler

Posts: 75
From: Pottstown, PA, USA
Registered: Sep 2002


 - posted 08-31-2018 08:58 AM      Profile for Ronda Fitzsimmons   Author's Homepage   Email Ronda Fitzsimmons   Send New Private Message       Edit/Delete Post 
Did you have sound before and lose it, or never have it?

We had sound 3 months ago. We installed a develpmental IMB it was not properly upgraded as I wasn'rt given the directions. The sound dropped out a little while after that. A month ago I realized STMPE worked but interop didn't.

This sounds similar my problem of not having IOP VI, but SMPTE VI is fine. Still not solved.

Is it possible the AES3 cable is not wired properly? Is this the breakout board or the cat 6 cable? It's been 5 years since the install and I can't remember all the terms.

we switched that with a good house and it had the same problems. Nothing has been changed with the wiring and it was working.

and:
Did you compare the channel and speaker mapping settings of the IMB-S2 between this and another, functioning screen? It is hard to believe, though, that, after support and tech have spent so much time on it, that the reason would be something obvious or stupid?!

Yes this has been done several times and does not appear to be the problem.

Personally, I would backup this system setting, one from a working system, and restore a working setup to this problematic one to see wether something changes.
I have installed several new IMBs doing the settings several different ways including putting them in by hand. It doesn't seem to be a setting.

When you activate the Test button for a specific channel - do you hear the test tone on all channels? Then when you play an Interop feature, all are silent?

I Haven't done that yet. I think the Christie tech did do that. But it's a good idea I'll try it tomorrow.

Thanks for your thoughts on this, folks. I'm really stumped!

 |  IP: Logged

Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 08-31-2018 09:05 AM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
Sounds weird. You wrote you exchanged multiple IMB-S2 for that screen - did you always restore the settings from the initial/working screen? Maybe there is something in that config that travels with every restore, but can't be reset through the setup/GUI? In that case, the only way to solve it would be to setup a new IMB-S2 from scratch. But it appears you already did that?

- Carsten

 |  IP: Logged

Ronda Fitzsimmons
Film Handler

Posts: 75
From: Pottstown, PA, USA
Registered: Sep 2002


 - posted 09-01-2018 08:58 AM      Profile for Ronda Fitzsimmons   Author's Homepage   Email Ronda Fitzsimmons   Send New Private Message       Edit/Delete Post 
Thanks Carston, yes we did that. Full set up from scratch. Problem continues. We switched sound processors with another auditorium, problem stays with the projector.

 |  IP: Logged

Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 09-01-2018 08:24 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
The next think I would swap between projectors is the motherboard backplane that the IMB and projector modules plugs into. Its about the only thing left to try.

Mark

 |  IP: Logged

Ronda Fitzsimmons
Film Handler

Posts: 75
From: Pottstown, PA, USA
Registered: Sep 2002


 - posted 09-01-2018 10:00 PM      Profile for Ronda Fitzsimmons   Author's Homepage   Email Ronda Fitzsimmons   Send New Private Message       Edit/Delete Post 
Sigh - they won't send us one to try. I'll try to find a field backup we can use to see. I hate to mess up a working projector and risk losing two.

 |  IP: Logged

Martin McCaffery
Film God

Posts: 2481
From: Montgomery, AL
Registered: Jun 99


 - posted 09-01-2018 11:01 PM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
quote: Ronda Fitzsimmons
Is it possible the AES3 cable is not wired properly? Is this the breakout board or the cat 6 cable? It's been 5 years since the install and I can't remember all the terms.
It's the one with the breakout board. But if you had sound and lost it, the cable should be fine.

 |  IP: Logged

Ioannis Syrogiannis
Expert Film Handler

Posts: 147
From: Reykjavík, Iceland
Registered: Jun 2005


 - posted 09-02-2018 04:09 AM      Profile for Ioannis Syrogiannis   Email Ioannis Syrogiannis   Send New Private Message       Edit/Delete Post 
I would concentrate on the difference between SMPTE and InterOp, since there is the difference between playing out or not.
If it was a cable or an adapter, the issue would appear in both packaging methods.
There might be a thing to the channel remapping, but are there overrides of custom remapping in a SMPTE package or in a SMPTE handling from the media block?

The original post states the playing/not playing difference between SMPTE and InterOp, but what about different audio configurations on the two packaging formats? (1.0, 2.0, 5.1, 7.1) would that make a difference?
If you carefully make such "test" files with DCP-o-matic and pack them on both type of DCPs, would they play along or not?
(That's not a proper way to test, but it may provide a clue...)
Does the malfunction gets stated in the logs or not?
What is stated in the logs, regarding the audio in each case?
Does similar reports appear with other similar media blocks?
Does the DCPs alter during the ingest/FTP ingest to the server?
(Recreated PKL or CPL files due to a TMS or the server's operating way.)
If we turn on the paranoid mode, we'll start testing cable pair combinations with the JSD-60 (I guess) input pairs or measuring the AES/DB25 output ones.

The whole issue might be software dependent, but not all software choices are available to a user or an installer.

Once again, the log files might (or might not) shed some light where fruitless speculation can dominate.

 |  IP: Logged

Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 09-02-2018 06:12 AM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
The SMPTE dialect that DCP-o-matic writes may not trigger the issue, there are lot's of ways to formulate the audio mxf file in SMPTE. Still worth a try, though.

The question is wether the IMB-S2 really does not output any audio at all in IOP, or just mapped to 'useless' channels. The USL-JSD60 only supports 8 digital input channels, so, for some weird reason, it could be that the IMB-S2 routes the channels out to 9-16, and with an 8ch/4ch AES cable only towards the JSD60, they would end up in nirvana.
One would need a DB25 break out cable/board or jumper box to tap into the 16ch AES/EBU output.

Ronda - you mention a CAT6 cable - that probably means, you are using a DB25 (IMB side) to RJ45 cable/board and enter the JSD60 digital audio port through that RJ45 cable/socket? Or are you using a DB25 to DB25 cable for audio, and referred to the network CAT6?

It IS certainly possible that, if you use one of the common DualRJ45 to DB25 AES converter dongles, that you use the wrong RJ45 socket on that converter dongle, thus IOP may get routed to channels 9-16 instead of 1-8, whereas, with a dynamic SMPTE routing, the IMB-S2 sends out the correct channels on 9-16, landing on 1-8 with the converter plugged in the wrong way.
Can you describe the audio cabling and converters used between the IMB-S2 and the JSD60, or send photos? A local tech should be able to find this out, but maybe, in your case, they only connected to the system by remote support access ?

Other than the limited number of input channels and no reroute option for 9-16, I can not think of a reason the JSD60 is responsible for this.

- Carsten

 |  IP: Logged

Ronda Fitzsimmons
Film Handler

Posts: 75
From: Pottstown, PA, USA
Registered: Sep 2002


 - posted 09-04-2018 01:11 PM      Profile for Ronda Fitzsimmons   Author's Homepage   Email Ronda Fitzsimmons   Send New Private Message       Edit/Delete Post 
 -
 -

Thanks for taking a look.

 |  IP: Logged

Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 09-04-2018 04:40 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
Hi Ronda - I guess that blue RJ45 cable crossing the solaria logo that is connected to the left socket on the dual RJ45 converter board on the Christie IMB enters the JSD60 on the top left rear. Your first photo shows the JSD60 audio output breakout board (towards amps) and the 'other' blue RJ45 cable enters the NAS network port above, not the JSD60.
The end of the blue digital audio cable must go somewhere else, and I guess, it goes towards the top left RJ45 socket on the JSD60 rear (the one labeled AES-EBU).

Well, I don't know that 2*RJ45 converter board, it might be an Odyssey or DalePro board, I don't know which AES channels go on that one socket. It would be an easy test though, to switch the cable to the other socket and see if playing Interop suddenly gives sound. You could also compare this to your other screens/IMB-S2.

- Carsten

 |  IP: Logged

Ronda Fitzsimmons
Film Handler

Posts: 75
From: Pottstown, PA, USA
Registered: Sep 2002


 - posted 09-06-2018 09:43 PM      Profile for Ronda Fitzsimmons   Author's Homepage   Email Ronda Fitzsimmons   Send New Private Message       Edit/Delete Post 
We'll test again, but I'm pretty sure we have tried that. It's Odyssey I'm reasonably certain. Setting up the DCP-o-matic files for testing is a good idea. I'll try that next.

 |  IP: Logged

Dave Macaulay
Film God

Posts: 2321
From: Toronto, Canada
Registered: Apr 2001


 - posted 09-07-2018 01:10 PM      Profile for Dave Macaulay   Email Dave Macaulay   Send New Private Message       Edit/Delete Post 
All Odyssey cards I've seen have the RJ45 jacks facing "out", not "up" like that one.
But... if you have sound on SMPTE DCPs, not having sound for Interop content has to be a problem in the server, in my opinion.
Working for SMPTE says it does work OK as far as turning data to sound. I'm not sure about SOlaria 1 as to whether it has some audio rerouting capability, SMPTE DCPs have metadata that can be used to reroute channels - if the server supports it, you assign channel names (ie LEFT, LFE, etc) to output channel numbers 1-16 and the sound should go there. If someone routed the audio channels this way to AES 9-16 rather than the normal 1-8... SMPTE DCPs would sound OK but Interop - without that metadata ability - would stay on 1-8.
Odyssey adapter cards are marked as to what channels each RJ45 handles (1-8 or 9-16), take a look at it. If it's not Odyssey YMMV.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.