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» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » The Mummy Returns

   
Author Topic: The Mummy Returns
Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-26-2001 02:10 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Universal
Technicolor depot
Deluxe Hollywood lab
7 reels
2.39 scope
SRD/SDDS-6/DTS

Attached: Jurassic Park 3
Loose: Fast and Furious

Note to changeover houses: on every reel, the audio stops for a brief moment at the changeovers.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-26-2001 08:58 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Brad said: "Note to changeover houses: on every reel, the audio stops for a brief moment at the changeovers."

Do you mean there's no soundtrack on the ends of each reel? If so, wouldn't you have a dropout at the splices on a plattered print too? Or is this just a at changeover houses?

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-26-2001 11:12 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
It is just mixed that way; the physical soundtrack never stops. It was very bizarre for a film made today, as we all found it distracting since few parts of the movie are actually quiet scenes. Just imagine a continuous level of noise throughout a reel and then right at the reel changes everything quickly drops to zero...splice...quickly fades back up. This was obviously mixed in this manner for changeover theaters to be able to "lose" frames.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-26-2001 12:17 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Strange! Would the presentation be improved if you didn't include the ends without sound when you spliced the reels together for presentation off a platter? Perhaps a rare example of a feature where showing every frame isn't the best presentation.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-27-2001 05:46 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Nope, that would just make it worse. However, I can confirm that cutting a frame off on the leaders of this particular feature would not make any difference.

You'll just have to watch it to see what I mean.

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Mike Spaeth
Phenomenal Film Handler

Posts: 1129
From: Marietta, GA
Registered: Jul 2000


 - posted 05-03-2001 05:49 PM      Profile for Mike Spaeth   Author's Homepage   Email Mike Spaeth   Send New Private Message       Edit/Delete Post 
On my release print the trailers were as follows:

Attached: The Fast and the Furious

Enclosed: Jurassic Park 3, Shrek, Evolution, Final Fantasy, Atlantis, Angel Eyes, Dr. Dolittle 2, What's the Worst That Can Happen?

I've never seen 8 Enclosures before! It's getting to the point where the studios are gonna have to start sending an extra can for just the trailers (not that I mind - I can always use extra trailers)

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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!

Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999


 - posted 05-03-2001 07:42 PM      Profile for Aaron Sisemore   Email Aaron Sisemore   Send New Private Message       Edit/Delete Post 
>>I've never seen 8 Enclosures before!<<

My print of 'Cast Away' had ELEVEN enclosed trailers (technically ten titles as there were two 'Monkeybone' trailers in the tally.) Shipped in a 3-reel can with one reel of the feature and the rest of the can packed with trailers.

I personally think they need to stop shipping trailers 'in-the-can' and go back to sending them in boxes or other packaging so we dont have to keep shipping prints back with half-empty cans etc...


Aaron

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 05-03-2001 10:00 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Aaron said: "I personally think they need to stop shipping trailers 'in-the-can' and go back to sending them in boxes or other packaging so we dont have to keep shipping prints back with half-empty cans etc..."

I agree. Shipping prints in cases that are not full (e.g., 2 reels in a 3-reel shipping case) is just asking for damage to the film and reels. It's penny-wise and pound-foolish to save a little money on shipping, and then have reels of film badly dished or edge-damaged. Trailers packed loosely in the shipping case usually don't fare too well either.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Eastman Kodak Company
Research Labs, Building 69, Room 7419
Rochester, New York, 14650-1922 USA
Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243
E-Mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-04-2001 05:10 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
It's even worse when the reels are so busted up that you are essentially shipping the film back on cores.

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John T. Hendrickson, Jr
Jedi Master Film Handler

Posts: 889
From: Freehold, NJ, USA
Registered: Apr 2001


 - posted 05-05-2001 09:09 AM      Profile for John T. Hendrickson, Jr   Email John T. Hendrickson, Jr   Send New Private Message       Edit/Delete Post 
Last week I told my staff that everybody and his brother would want their trailers playing with this print. In addition to the eight we got in the can, we had two additional ones "chasing" via Fed Ex.

You have to wonder when this nonsence is going to stop. You could spend your life just putting together trailer cores in an average size multiplex.

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 05-06-2001 08:09 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Brad said...>>However, I can confirm that cutting a frame off on the leaders would not make any difference.<<

OK...so maybe I did a little bit of editing of what he said, but I enjoyed it anyway...

(cue evil laugh here...)

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Children really brighten up your life...they never turn off lights.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-07-2001 04:15 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
A LOT of editing there John. This is probably the ONLY movie I've seen in years that would allow the chopping of frames on the leaders where it wouldn't bother "at least" one changeover.

I am closing this thread, for it is wandering WAAAAAAAY too far off track.

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