Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » Mulholland Drive

   
Author Topic: Mulholland Drive
Paul Konen
Jedi Master Film Handler

Posts: 981
From: Frisco, TX. (North of Dallas)
Registered: Jun 99


 - posted 10-19-2001 10:17 AM      Profile for Paul Konen   Email Paul Konen   Send New Private Message       Edit/Delete Post 
Reels: 8
Format: Flat
Sound: SR/SRD
Dist: Universal
Depot: Technicolor

 |  IP: Logged

Charles Everett
Phenomenal Film Handler

Posts: 1470
From: New Jersey
Registered: May 2001


 - posted 10-21-2001 10:26 AM      Profile for Charles Everett   Email Charles Everett   Send New Private Message       Edit/Delete Post 
Attached trailer: Brotherhood of the Wolf.

BOOTH ALERT: The Universal logo is silent. Audio starts in the second (StudioCanal) logo.

 |  IP: Logged

Brad Haven
Master Film Handler

Posts: 300
From: fremantle, West Australia
Registered: Aug 2001


 - posted 08-12-2002 12:40 AM      Profile for Brad Haven   Email Brad Haven   Send New Private Message       Edit/Delete Post 


 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 08-12-2002 06:59 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Interesting that they requested the Australian prints be framed slightly lower to give more headroom. Was there any similar request elsewhere?

Standard SMPTE 195 specifies that the centerline of the intended image area should be vertically centered between two perforations (Dimension J=K, nominally equal).

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


 |  IP: Logged

Paul Konen
Jedi Master Film Handler

Posts: 981
From: Frisco, TX. (North of Dallas)
Registered: Jun 99


 - posted 08-12-2002 09:50 AM      Profile for Paul Konen   Email Paul Konen   Send New Private Message       Edit/Delete Post 
I remember getting a similar flyer in my print too.

Paul.

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 08-12-2002 10:26 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
It may be that the camera viewfinder reticles showing the image area were incorrect, or they later found a few scenes that had the tops of heads cropped.

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion

 |  IP: Logged

Brad Haven
Master Film Handler

Posts: 300
From: fremantle, West Australia
Registered: Aug 2001


 - posted 08-12-2002 11:16 AM      Profile for Brad Haven   Email Brad Haven   Send New Private Message       Edit/Delete Post 
Hi guy's, the reason that i heard for the odd framing was that most of the footage was shot for tv, it wasn't untill later that they decided to reshoot new footage for a cinema release.

------------------
currently (relief)chief projectionist
at Luna Leederville cinemas
also cheerleader for john wilson (gooOO JOHN!)

 |  IP: Logged

John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 08-12-2002 11:43 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Do you know if the original composition was for 4:3, 14:9, or 16:9 television aspect ratios?:
BBC Widescreen Television Guidelines

------------------
John P. Pytlak, Senior Technical Specialist
Worldwide Technical Services, Entertainment Imaging
Research Labs, Building 69, Room 7525A
Rochester, New York, 14650-1922 USA
Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243
e-mail: john.pytlak@kodak.com
Web site: http://www.kodak.com/go/motion


 |  IP: Logged

Brad Haven
Master Film Handler

Posts: 300
From: fremantle, West Australia
Registered: Aug 2001


 - posted 08-12-2002 12:14 PM      Profile for Brad Haven   Email Brad Haven   Send New Private Message       Edit/Delete Post 
I dont know , but having screened the film and seen it a few times it dont believe it was 4:3, i dont recall any scenes being too cramped. I cant recall if it was printed full frame or masked down either?.

 |  IP: Logged

John Hazelton
Film Handler

Posts: 42
From: Oakland, CA, USA
Registered: Jun 2001


 - posted 08-15-2002 08:05 PM      Profile for John Hazelton   Author's Homepage   Email John Hazelton   Send New Private Message       Edit/Delete Post 
I suspect it was framed for 4x3, although it could easily have been 16x9 with a 4x3 safe area. I saw the pilot back when it was still only a pilot, and it looked just right on a standard 4x3 monitor.

I suspect the projection reframing was requested in order to avoid having to optically reprint certain shots that were composed for 4x3.

 |  IP: Logged



All times are Central (GMT -6:00)  
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.