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Author Topic: Simone Bill Gabel Film God Posts: 3873 From: Technicolor / Postworks NY, USA Registered: Jan 2002 posted 06-20-2002 01:28 PM                     New Line 6 Reels 2.40 Scope SRD / SDDS / DTS / SR Deluxe Org. Neg Studio print NOTE: After the credits there is an extra scene with Pacino. No trailers with print  |  IP: Logged Steve Kraus Film God Posts: 4094 From: Chicago, IL, USA Registered: May 2000 posted 07-11-2002 12:26 PM                    ...from anamorphic neg  |  IP: Logged Michael Coate Phenomenal Film Handler Posts: 1904 From: Los Angeles, California Registered: Feb 2001 posted 07-11-2002 03:11 PM                     In the May issue of American Cinematographer there is an ad for Cooke optics with an endorsement from cinematographer Ed Lachman that includes a sidebar featuring a bit of interesting info on the origination format of Simone. It reads: "Ed Lachman has been a DP since 1975. His two most recent pictures are Ken Park and Simone which was shot both anamorphic and Super 35 (with Cooke S4 lenses)."  |  IP: Logged Aaron Sisemore Flaming Ribs beat Reeses Peanut Butter Cups any day! Posts: 3061 From: Rockwall TX USA Registered: Sep 1999 posted 07-19-2002 03:33 AM                     also on Fuji print stock. -Aaron  |  IP: Logged John Pytlak Film God Posts: 9987 From: Rochester, NY 14650-1922 Registered: Jan 2000 posted 07-19-2002 08:27 AM                        Unfortunately, for now, most New Line features are on Fuji print film. ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Research Labs, Building 69, Room 7525A Rochester, New York, 14650-1922 USA Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243 e-mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion  |  IP: Logged Steve Kraus Film God Posts: 4094 From: Chicago, IL, USA Registered: May 2000 posted 08-07-2002 08:18 PM                    If there's any Super 35 in there it's likely the scenes that were subject to digital manipulation. The straight stuff is beautiful crisp real anamorphic and has the negative splices to prove it.  |  IP: Logged Daryl C. W. O'Shea Film God Posts: 3977 From: Midland Ontario Canada (where Panavision & IMAX lenses come from) Registered: Jun 2002 posted 08-23-2002 04:27 AM                        Head and tail of Alliance Atlantis snipe at start of feature was 2 sproket holes out of frame (leaving film in frame once feature starts). And of course, like always, the snipe was clear spliced on, had no digital track and looked used.  |  IP: Logged Josh Kirkhart Expert Film Handler Posts: 165 From: Austin/Houston, TX, USA Registered: Nov 2001 posted 08-23-2002 04:48 PM                     attached: LOTR:The Two Towers Loose: Knockaround Guys Red Dragon Analyse That Banger Sisters  |  IP: Logged Ron Lacheur Jedi Master Film Handler Posts: 650 From: British Columbia, Canada Registered: Feb 2002 posted 08-23-2002 05:50 PM                     Daryl, I am positive that the Alliance Atlanis snipe does have Dolby digital on it.  |  IP: Logged Daryl C. W. O'Shea Film God Posts: 3977 From: Midland Ontario Canada (where Panavision & IMAX lenses come from) Registered: Jun 2002 posted 08-24-2002 02:34 AM                        The snipes on the attatched trailers were in digital, the snipe before the feature was in optical only. Also the ones on the trailers were the 'newer' style and the feature was the 'older' style. I also forgot to mention the big green scratch down the centre of the feature snipe.  |  IP: Logged

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