my profile | my password | search | faq & rules | forum home

» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » Rear Window

Author Topic: Rear Window John Hawkinson Film God Posts: 2273 From: Cambridge, MA, USA Registered: Feb 2002 posted 11-20-2002 09:24 PM                     "Rear Window" 1998 restoration Technicolor IB dye-transfer (green cues) 6 reels 1.66:1 Flat Mono sound Universal Note: closing music runs for 37 seconds (55 feet) after that last picture fades out. Looks like the digital soundlamps were left on, which seems odd, but I guess I don't know enough about how IB works.  |  IP: Logged Scott Norwood Film God Posts: 8146 From: Boston, MA. USA (1774.21 miles northeast of Dallas) Registered: Jun 99 posted 10-23-2003 09:13 PM                        International Cine Services (ICS) depot - Universal Classics print #01 is in great shape, with only minor dirt (and multiple handmade cues) near reel changes. edit: starts with: Paramount logo - fades in ends with: restoration credits - MPAA rationg (PG) - scrolls to black - music tails out [ 10-25-2003, 12:57 AM: Message edited by: Scott Norwood ]  |  IP: Logged John Pytlak Film God Posts: 9987 From: Rochester, NY 14650-1922 Registered: Jan 2000 posted 10-23-2003 09:16 PM                        quote: Looks like the digital soundlamps were left on, which seems odd, but I guess I don't know enough about how IB works. The dye transfer "receiver" print stock is actually a special B&W silver image print film. The soundtracks are printed and processed, yielding silver-only tracks, then the dyes are transferred from the matrices.  |  IP: Logged System Notices Forum Watchdog / Soup Nazi Posts: 215 Registered: Apr 2004 posted 02-02-2013 03:04 PM                 It has been 3389 days since the last post.  |  IP: Logged Jack Theakston Master Film Handler Posts: 411 From: New York, USA Registered: Sep 2007 posted 02-02-2013 03:04 PM                     Print #9 is a new print struck in 5/11, either a silver or high magenta track (not cyan). Same specs as above, but it's not IB, obviously. I wasn't crazy about the color timing, but my understanding is that we're lucky there's any color there. Was NOT impressed with the ship job, which Universal is usually good at. Metal ICC cases ( ), but the leaders were barely taped down  |  IP: Logged Scott Norwood Film God Posts: 8146 From: Boston, MA. USA (1774.21 miles northeast of Dallas) Registered: Jun 99 posted 04-15-2013 07:26 PM                        Print #8 is as Jack describes print #9. Foto-Kem print, Kodak 2383, mint condition (heads and tails are uncut), but not dye-transfer.  |  IP: Logged

All times are Central (GMT -6:00)

Printer-friendly view of this topic

Hop To: Select a Forum: Category: Operations -------------------- Digital Cinema Forum Film Handlers' Forum Large Format Forum Ground Level Feature Info, Trailer Attachments & REAL Credit Offsets Category: Community -------------------- Film-Yak Film Handlers' Movie Reviews The Afterlife Bob Maar's Joke-A-Thon Category: Classified -------------------- Equipment and Supplies Wanted/For Sale Help Wanted/Seeking Employment Category: System -------------------- Software Beta Testing Forum

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.