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Author Topic: Anything Else Bill Gabel Film God Posts: 3873 From: Technicolor / Postworks NY, USA Registered: Jan 2002 posted 09-02-2003 11:10 AM                     Dreamworks Scope / 2.40 (True Scope) MONO SRD / SDDS / DTS / SR (Standard Woody Allen sound) 6 Reels Technicolor TRT: 108 mins. Studio Print  |  IP: Logged Jonathan M. Crist Jedi Master Film Handler Posts: 531 From: Hershey, PA, USA Registered: Apr 2000 posted 09-02-2003 12:35 PM                     Did your print have the new Cyan soundtrack? If so, was there any noticeable differnce in quality etc?  |  IP: Logged Paul Konen Jedi Master Film Handler Posts: 981 From: Frisco, TX. (North of Dallas) Registered: Jun 99 posted 09-05-2003 09:46 AM                     Yes, It has the new cyan track. Here is an image  |  IP: Logged Michael Brown Phenomenal Film Handler Posts: 1522 From: Bradford, England Registered: May 2001 posted 09-05-2003 01:18 PM                     Are all prints cyan track?  |  IP: Logged Aaron Sisemore Flaming Ribs beat Reeses Peanut Butter Cups any day! Posts: 3061 From: Rockwall TX USA Registered: Sep 1999 posted 09-05-2003 06:29 PM                     Yes, if the notice sent to theatres from DreamWorks is correct. -Aaron  |  IP: Logged John Pytlak Film God Posts: 9987 From: Rochester, NY 14650-1922 Registered: Jan 2000 posted 09-06-2003 07:58 AM                        Paul: Your photo looks quite yellow in overall color balance, such that the cyan track looks green rather than the sky-blue cyan it is. All others: Even if you normally play digital sound, I hope you will play and listen to the full analog track at least once, and report your subjective impression of the sound quality (compared to conventional analog tracks) in the Film Handler's Forum. Do provide information on the type of analog reader and sound processor you are using there as well.  |  IP: Logged Bill Gabel Film God Posts: 3873 From: Technicolor / Postworks NY, USA Registered: Jan 2002 posted 09-08-2003 08:17 AM                     My first print was High-Magenta. I have three High-Magenta prints and one Cyan print in my booth now. We handle screenings for Woody Allen here in NYC.  |  IP: Logged Paul Konen Jedi Master Film Handler Posts: 981 From: Frisco, TX. (North of Dallas) Registered: Jun 99 posted 09-08-2003 08:26 AM                     John, It was my first attempt with taking a picture with a Bevan-Poo and primary scope lense. It was backlit with the light (compact florescent) from the build up table.  |  IP: Logged Scott Norwood Film God Posts: 8146 From: Boston, MA. USA (1774.21 miles northeast of Dallas) Registered: Jun 99 posted 09-23-2003 01:47 AM                        Here's another scan of the track: Also, R4 (?) begins with a dark scene. There is a huge "SPLICE HERE" frame immediately before the first frame of picture. I'm sure that mediocre projectionists at changeover houses will love this one.  |  IP: Logged Ken Lackner Phenomenal Film Handler Posts: 1907 From: Atlanta, GA, USA Registered: Sep 2001 posted 10-08-2003 06:29 PM                     quote: MONO SRD / SDDS / DTS / SR (Standard Woody Allen sound) I don't get it. How can it be mono and SR? And why would you bother with mono if you have all three digital formats?? For that matter, isn't the optical track suppsed to automatically be SR if you have SRD?  |  IP: Logged Bill Gabel Film God Posts: 3873 From: Technicolor / Postworks NY, USA Registered: Jan 2002 posted 10-08-2003 08:34 PM                     All of Woody's films are mono. You are only using the center channel. I only post it like that because thats what the leaders state as the sound info.  |  IP: Logged Daryl C. W. O'Shea Film God Posts: 3977 From: Midland Ontario Canada (where Panavision & IMAX lenses come from) Registered: Jun 2002 posted 10-08-2003 09:57 PM                        quote: How can it be mono and SR? Easy, put the same mono track on both the left and right channels and you've got yourself a mono centre channel mix. Just because you're encoding the track with SR matrixing and noise reduction doesn't mean you have to use all of the (matrixed) channels.  |  IP: Logged

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