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» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » The Chronicles of Riddick

   
Author Topic: The Chronicles of Riddick
Steve Scott
Phenomenal Film Handler

Posts: 1300
From: Minneapolis, MN
Registered: Sep 2000


 - posted 06-10-2004 05:48 PM      Profile for Steve Scott   Email Steve Scott   Send New Private Message       Edit/Delete Post 
Universal
TES Depot
Scope
SRD/DTS/SDDS
8 Reels
Most reels are short. R2 ends in black, if a splice is necessary, count 24 frames from the changeover cues (obviously).
Head on R1 has soundtrack damage from negative splicing (most likely), so cut at the last neg. splice before the green band if you preserve the green bands.

Attached: The Bourne Supremacy
Enclosed: Alexander
Alien Vs. Predator
Anacondas
Friday Night Lights
Exorcist: The Beginning

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John T. Hendrickson, Jr
Jedi Master Film Handler

Posts: 889
From: Freehold, NJ, USA
Registered: Apr 2001


 - posted 06-10-2004 06:59 PM      Profile for John T. Hendrickson, Jr   Email John T. Hendrickson, Jr   Send New Private Message       Edit/Delete Post 
Run time: 1'59"
Technicolor lab
2383 Kodak stock

Several reels are less than full.

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Jay Cahill
Film Handler

Posts: 2
From: Placerville, CA United States
Registered: May 2004


 - posted 06-10-2004 11:55 PM      Profile for Jay Cahill   Author's Homepage   Email Jay Cahill   Send New Private Message       Edit/Delete Post 
Hah, wouldn't that tidbit about 24 frames from cues have been nice to know before i built the darn thing...
I wasn't precisely on what you did, maybe a frame or two either way - they just had to make it difficult to tell where that reel ended... but in my training the 24 frames from cues was overlooked, apparently...
why isn't there a well defined 'splice point'? An arrow, a thick green line to take some of the mystery out of the hidden reel end.

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