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Author Topic: It Came From Outer Space (1953) Scott Norwood Film God Posts: 8146 From: Boston, MA. USA (1774.21 miles northeast of Dallas) Registered: Jun 99 posted 01-14-2006 11:35 PM                        5 reels flat/Academy mono (density track) print #2 is in lab-mint condition (2004 print by Foto-Kem), has handmade cues, and is red/blue anaglyph 3D; sound is low on R5 Universal Pictures  |  IP: Logged System Notices Forum Watchdog / Soup Nazi Posts: 215 Registered: Apr 2004 posted 02-01-2018 01:34 AM                 It has been 4400 days since the last post.  |  IP: Logged Manny Knowles "What are these things and WHY are they BLUE???" Posts: 4247 From: Bloomington, IN, USA Registered: Feb 2002 posted 02-01-2018 01:34 AM                     35mm print reverses the conventional eye-color assignment -- we had to instruct the audience to flip them around before the show started. DCP info Available in 3D, but tonight we showed the 2D version. Timing and sound info ought to be the same for both. DCP is labeled as F-133 but is actually 1.37AR Sound is 2-channel -- decode as Lt/Rt if you can -- note some effects are panned! TRT is 1:20:04 Credits are brief LFOA 1:19:58 "Directed by Jack Arnold" (ftb) ......................(followed by MPAA rating card to 1:20:04)  |  IP: Logged Mark J. Marshall Film God Posts: 3188 From: New Castle, DE, USA Registered: Aug 2002 posted 02-05-2018 03:32 PM                    I believe it was originally a three track mix (L / C / R) across the screen. Why would they mix that down to two tracks? I'd get a mono option but why go from 3 tracks to 2?  |  IP: Logged Jack Theakston Master Film Handler Posts: 411 From: New York, USA Registered: Sep 2007 posted 02-05-2018 03:50 PM                     If this is the master that 3-D Film Archive delivered, we gave them a 3 channel master from the original mag. They had a 2-channel that was mixed for HV that sounded like garbage. Hope they didn't use that instead.  |  IP: Logged

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