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» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » Water for Elephants (2011)

   
Author Topic: Water for Elephants (2011)
John T. Hendrickson, Jr
Jedi Master Film Handler

Posts: 889
From: Freehold, NJ, USA
Registered: Apr 2001


 - posted 04-20-2011 12:58 PM      Profile for John T. Hendrickson, Jr   Email John T. Hendrickson, Jr   Send New Private Message       Edit/Delete Post 
20 Century Fox
Scope
7 Reels
SR/SRD/DTSD/SDDS
Deluxe/ETS depot

Fuji stock
Deluxe Lab

Special Notes: The end of reel #6 does not actually end with the image! As I recall, there are five or six regular frames after the last cue mark. Then,there are a number of black frames to the end of the reel (approx. 12). Make your cut on the first white frame line.

Also- Reel #7 has a fade-in. Make your cut on the last white frame line of the head header.

There is a black & white letterboxed image prior to the credits. If you cue on the last frame of the color imaage, your lights will come up too soon.

Attached trailer: Monte Carlo

Loose in the can: Larry Crowne
Seven Days in Utopia
Super 8
Warrior
Something Borrowed

The above came with my print. Trailer Alert sheet also lists The Art of Getting By, Tree Of Life, The Beaver, and The Help.

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John T. Hendrickson, Jr
Jedi Master Film Handler

Posts: 889
From: Freehold, NJ, USA
Registered: Apr 2001


 - posted 04-20-2011 04:24 PM      Profile for John T. Hendrickson, Jr   Email John T. Hendrickson, Jr   Send New Private Message       Edit/Delete Post 
As a follow-up, DeLuxe Film Services faxed a bulletin explaining the reel # 6 situation. Here it is:

"Dear Manager and Projectionist,

In reel 6, our hero gets punched and knocked out and the image fades to black. We are asking that you please pay special attention while putting together your print to insure that you keep all the black frames at the end of the reel.

The first visible white frame line after these black frames is the place to cut over to reel 7. Please be sure that if your print is being spliced together on a platter that this is where the splice is made. If you are running reel to reel, this is where the changeover should be cued.

We thank you in advance for your cooperation and wish you a long and successful run."

Well, not entirely accurate, as there is no "fade to black" at the end of reel # 6. It goes from image to total darkness. Then reel # 7 resumes with a fade in.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 04-20-2011 04:45 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
My print, with reel No.2, I had to go down almost a foot from BOA to make my cut due to the SR,SR-D and SDDS track was blocked from playback ....

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