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Author Topic: Prometheus (2012) Paer Hoegberg Film Handler Posts: 81 From: Borlänge, Sweden Registered: Apr 2005 posted 05-30-2012 12:10 PM                     DCP SCOPE 3D - 138 GB 2D - 154 GB FIRST CO - not verified STUDIO CO - 1:58:23 FRT - 2:04:09 Version: Swedish subtitle  |  IP: Logged Paul Gordon Jedi Master Film Handler Posts: 580 From: Ottawa, Ontario, Canada Registered: Aug 2005 posted 06-01-2012 07:15 AM                        Any 35mm or 15/70 info?  |  IP: Logged John Wilson Film God Posts: 5438 From: Sydney, Australia. Registered: Dec 1999 posted 06-04-2012 08:44 PM                     35MM Scope SR/SRD/DTS/SDDS 7 Reels  |  IP: Logged Justin Hamaker Film God Posts: 2253 From: Lakeport, CA USA Registered: Jan 2004 posted 06-05-2012 05:23 PM                        For US digital locations you need to read this info before you title map this. Hard drive contains 5.1 and 7.1 version of both CC and OC. 2D Credit start 1:57:57 2D Run time 2:03:36 3D Credit start 2:00:39 3D Run time 2:06:17 The difference in running time if due to a Life of Pi trailer/featurette on the front of the 3D version. There are two different versions of the 3D - a 4FL and a 6FL. You will only receive keys for one, so you need to know which version you will receive the keys for.  |  IP: Logged John Wilson Film God Posts: 5438 From: Sydney, Australia. Registered: Dec 1999 posted 06-05-2012 10:16 PM                     If they can make a 6fl version then why bother with a 4fl version?  |  IP: Logged Ross Oba Expert Film Handler Posts: 181 From: Kailua Kona, HI Registered: Oct 2005 posted 06-05-2012 11:11 PM                     What I found odd was that the DCP size of the 4FL version is around 30GB larger than the 6FL version. I have never played a high brightness version before, so I wouldn't know if they do different compression techniques.  |  IP: Logged Steve Guttag We forgot the crackers Gromit!!! Posts: 12814 From: Annapolis, MD Registered: Dec 1999 posted 06-19-2012 08:02 AM                     John, at the risk of the "chit-chat" rule...briefly. The current "standard" for 3D is 4.5fL +/- 1fL. The print is timed for that so it does not look overly dark (it has less contrast so the blacks don't disappear along with detail). Only those theatres that have measured their 3D brightness capabilities of 6fL in the center with a new lamp at 75% can receive the 6fL version to ensure that the image will look "bright" throughout the run. If you can hit that level, then the whites will be whiter and the blacks will still not lose detail because the print was timed that way. If a 6fL version was played in a 4fL theatre, the movie would look darker than normal.  |  IP: Logged Shawn M. Martin Expert Film Handler Posts: 175 From: Arlington, VA, USA Registered: Feb 2012 posted 06-26-2012 12:36 AM                    Is the 2D version 4K?  |  IP: Logged

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