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This topic comprises 2 pages: 1 2
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Topic: Black Hawk Down
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David Stambaugh
Film God
Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
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posted 01-19-2002 05:08 PM
Sort of emulating the Criswell-style of review:1/19/02, Regal Cinema World 8 (Eugene, Oregon), Theatre #4, 12:00 noon show. Digital sound, could not determine format (no audible dropouts). Image shifted up and to the left about 1 foot, image also noticeably dim on the right third of the screen. No shutter ghosting for a change (woo-hoo). Reel 3 or 4 seemed to have a lab defect: Two vertical dark shadow-tiretracks running the height of the entire frame, on the left side, maybe 8-10" wide each, and weaving in and out. Approx. 25 people in a 300-seat room. But enough of that. This is a very graphic war film, almost a documentary. Battle sequences are well-staged, choreographed, and photographed. Ridley Scott & the editor manage to make order out of complicated, chaotic footage and it almost feels like it unfolds in real-time. Lots of bloody carnage. This isn't entertainment per se, so I will not rate it on a scale or recommend it. But I'm glad I saw it. ------------------ - dave Crab juice, or Mountain Dew?
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 01-21-2002 09:06 AM
David said: "Reel 3 or 4 seemed to have a lab defect: Two vertical dark shadow-tiretracks running the height of the entire frame, on the left side, maybe 8-10" wide each, and weaving in and out."Sounds like the soundtrack developer (which develops silver in the analog soundtrack area) was splashing into the picture area. The reels should be replaced. Eliminating the need for soundtrack redevelopment is one reason the movie industry wants to convert to cyan dye tracks (requiring red LED readers). At the recent International Theatre Equipment Association (ITEA) Projection Seminar in LA, representatives from Disney, 20th Century Fox, MGM, Warner Bros., and other distributors supported the conversion. Here are some links to information about the upcoming conversion to cyan dye analog tracks and the elimination of problematic soundtrack redevelopment: http://www.atlab.com.au/faq/000531.htm http://www.kodak.com/US/en/motion/support/dyetrack.shtml http://www.agfa.com/motionpictures/dyetrac_jpeghigh.pdf http://www.dolby.com/tech/ci.ot.0012.ScanRev.html http://www.dolby.com/tech/ci.os.0012.reddye.html http://www.uslinc.com/forum/fjcyan2.htm http://www.componentengineering.com/webdocs/whydyetracks.pdf http://www.getgts.com/mopic21.htm http://www.editorsguild.com/newsletter/NovDec01/ioan_allen_two.html ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Research Labs, Building 69, Room 7525A Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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