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Author
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Topic: Spy Kids 2: Island of Lost Dreams
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Mike Schindler
Phenomenal Film Handler
Posts: 1039
From: Oak Park, IL, USA
Registered: Jun 2002
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posted 08-07-2002 03:36 AM
This is the first bad movie that Robert Rodriguez has made. It was not nearly as fun or humorous as the first film. It didn't acknowledge its silliness, and this made it stupid. The action sequences were also not done nearly as well. Antonio Banderas, Carla Gugino, Steve Buscemi, Bill Paxton, Cheech Marin, Danny Trejo, Alan Cumming, Tony Shalhoub and Ricardo Montalban were all wasted. How do you do that? This is the biggest disappointment in a very long time.
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Mike Schindler
Phenomenal Film Handler
Posts: 1039
From: Oak Park, IL, USA
Registered: Jun 2002
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posted 08-08-2002 08:18 PM
I'm not endorsing the use of digital photography in any way, but I highly doubt that the look of this film would bother most people. I also doubt that most people, ourselves included, would be able to say beyond a shadow of a doubt that this was shot digitally if we weren't looking for it. I'm sure you'll all say that I'm wrong, but I've talked to co-workers who can tell whether something was shot in anamorphic or Super 35 just by looking at the quality of the image. These guys watched the trailer for this movie and were shocked when, immediately afterwards, they were told it was shot digitally. These are guys who have worked in the booth for a couple years, and watch 2 or 3 movies a week on film. If it doesn't bother them, I don't think it'll bother most people. And there certainly are benefits to shooting a movie like this digitally.
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Mike Schindler
Phenomenal Film Handler
Posts: 1039
From: Oak Park, IL, USA
Registered: Jun 2002
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posted 08-09-2002 03:59 AM
I know that it's easy to tell the difference between anamorphic and Super 35, especially if there are lens flares. But by quality of the image, I meant how grainy it looked. Also, I wasn't trying to say that this was something to brag about. It's just that it's not something which the average moviegoer can do. It's not something which bothers the average moviegoer, either. It does bother these guys, and they weren't tremendously bothered by the SPY KIDS 2 trailer. Personally, I was shocked by how good it actually looked. The biggest problem that I had with the look of SPY KIDS 2 was how poorly the effects were integrated with the rest of the film. Every effect stood out because of two reasons. For one thing, they were not very photo-realistic. Secondly, they did not match the live-action footage. I wonder if this has something to do with why people think it looks so bad.Another problem which I had with the look of the film was that it was just poorly shot. But that's what happens when you don't use a DP. It would have looked just as bad on film.
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Paul Linfesty
Phenomenal Film Handler
Posts: 1383
From: Bakersfield, CA, USA
Registered: Nov 1999
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posted 08-09-2002 09:36 PM
Bobby Henderson wrote: quote: I just wish such things would go straight-to-video. After all, they're being shot that way.
But that's what's so great about current distrubution patterns. You can elect for yourself whether to see it at the theatre or see itwhen the video comes out. Most people, especially the families that this film is clearly aimed at, cannot tell the difference anyway. They'll just get into the story.
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