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This topic comprises 2 pages: 1 2
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Author
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Topic: 8 Mile
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Dave Williams
Wet nipple scene
Posts: 1836
From: Salt Lake City, UT, USA
Registered: Jan 2000
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posted 11-09-2002 02:03 PM
Tracking has to do with how well test screenings scored. The higher the number, the better you should do at the box office. However, a higher tracking number is no guarantee that success is on the way.Studios run test screenings on any completed film, and if numbers come back low, they go back and make changes as to where the audience got lost. Another test screening is had and they go from there. Once a high number is achieved, they go with it. The tracking number will have absolutely nothing to do with grosses by the way. Some of the highest grossing movies had horrible tracking numbers, and some low grossing had super high ones. It really all depends on marketing strategy these days. 8 Mile, which I plan to see today, should do very well. Dave
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David Stambaugh
Film God
Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
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posted 11-10-2002 06:04 PM
11/10/2002, 12:20PM, Regal Cinema World 8, Eugene OR, #4, digital sound. Attendance about 50. Excellent presentation. The sound was cranked up, which helps this film to work.On the one hand, 8 Mile is very skillfully crafted. I'm talking everything: screenplay, direction, cinematography, sound, and acting. It's involving, it tells an interesting story, the characters are well-drawn. All the elements of a good movie are there and everything works. On that level I liked this a lot. Oh yeah, Kim Basinger is great as trailer-trash. On the other hand, 8 Mile is very coldly calculated to make a film star out of Marshall Mathers, I mean Eminem. Not that there's necessarily anything wrong with that. Happens all the time. But the Rabbit character seemed so tied in with the "real" Eminem/Marshall Mathers that this was like watching a slanted biography. A biography with a strong agenda they didn't even bother trying to hide: Make a sympathetic hero out of Eminem. Mission accomplished I guess. Disclaimer: Going in, I despised rap music, and I also knew virtually nothing about Eminem except general awareness of the criticism he gets for his lyrics and also that performance with Elton John. After watching this, I would say my opinion of rap moved up from despising it, to merely disliking it. See, the film worked some kind of magic on me, as its makers intended. It will be interesting to see if Eminem's subsequent films can maintain this high standard. He needs to choose his future roles carefully...
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