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This topic comprises 2 pages: 1 2
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Topic: Solaris (2002)
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David Stambaugh
Film God
Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
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posted 11-30-2002 04:51 PM
11/30/2002, 11:20AM, Cinemark 17, Spfld OR, #17, SR•D but with not much LFE. Attendance about 30. Image was tilted, drooped on the right. Soft, diffuse image.
I wanted to like this, but it didn't quite get me fully involved. The performances are sometimes deliberately distant and a little surreal. It held my attention enough to get me to stay with it, but that's not saying a whole lot. Wants to be quiet, thoughtful, and "dream-like" (literally) but just plays unnecessarily flat. Presumably Soderberg (sp?) made the film he wanted to make, but the same story could have been told with a little more energy and been more involving for the audience.
Nice use of sound and occasional lack of it to help set up the mood they wanted.
I didn't hate it, but I wouldn't recommend it either.
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Josh Kirkhart
Expert Film Handler
Posts: 165
From: Austin/Houston, TX, USA
Registered: Nov 2001
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posted 12-03-2002 03:45 AM
I liked it, not love but like.
This Clooney vehicle is good, but if you edit out an hour of the original, it would kick this ones ass. Soderberg has too large a head to do things like this movie(maybe its the material that attracts these artsy farts), give this to a director like Spielberg who wouldn't let it get out of hand, He knows how to film and pace a love story, although I doubt he knows it.
Soderberg is not hungry enough to make a film like this work on most levels, he only captured a few(not that spielbergs hungry, just couldn't think of a fresh director that would have got the point across easily).
I liked it.
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Evans A Criswell
Phenomenal Film Handler
Posts: 1579
From: Huntsville, AL, USA
Registered: Mar 2000
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posted 12-12-2002 08:26 PM
Attendance: 2002/12/11 19:40, Regal Hollywood 18, Huntsville, AL, Auditorium 15, Scope (shot with anamorphic lens)
I didn't really know what to think about this movie. I went into it having only read one positive review, and before reading this thread. Parts of the movie reminded me a lot of scenes from "2001: A Space Odyssey", while at times I feared that the movie was going to become like "Event Horizon". It was definitely a different, bizarre movie, so I must give it points for that.
All I know is, one that stuff started happening to the crew, why didn't they just get the hell out of there then? It's like the question Eddie Murphy asks in "Delirious" (1983) about people in haunted houses that I won't repeat here.
My review of the movie would probably be more like Brad's on the second viewing, since I had no idea what was going to happen on the first viewing. I don't remember any opening credits for this movie. Were there any or did I blink and miss them?
Another note: they pronounce it "SO LAHR ISS" rather than "SO LAIR ISS" like everyone around here calls the Sun UNIX oeprating system.
Even though work is currently being done to install adjustable masking in all auditoriums of this theatre, this particular auditorium is still "1.85:1-only", so I saw this movie with the scope image cropped to that ratio. The image went slightly beyond the left fixed masking and onto the left auditorium wall a bit at times. The Regal policy trailer was spliced in one perforation out of frame.
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Peter Berrett
Jedi Master Film Handler
Posts: 602
From: Victoria, Australia
Registered: Nov 2000
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posted 03-01-2003 05:19 AM
Hi all
I haven't seen the 2002 remake (yet) but I plan to.
I recall when I saw the 1972 original. It was back about 1981 and the Federal Government had just started a new television station called SBS (Special Broadcasting service) which at the time featured a lot of presenters with accents, foreign films, very basic sets, a lot of soccer and a lack of professionalism. Notwithstanding this shaky start the network has gone on to become a very chic, classy, professional operation (with a lot of soccer).
Being in my later teenage years I liked alternative things (I still do) and I chanced to catch some interesting films on SBS. One of these was a very long but visually fascinating film called Solaris. It was totally unlike any Hollywood film I had seen. Yes it was long, yes it did get bogged down, but it really made the viewer think and the visual aspects of the film were stupendous. I reckon it must really, really have looked good up on the big screen and would have had a huge impact. 2001, with which it is sometimes compared, doesn't have quite the sense of scale. In the 1972 version, the Planet Solaris is filmed in such a way as to convey a sense of it awesomeness and to leave the audience in awe.
The film conveyed a real sense of mystery and although it dragged on and on the mystery aspect compelled the viewer to watch to the end.
I have just ordered the original book by Stanilaw Lem and I plan to read this, and then if possible watch the original 1972 film on vhs, dvd or tv, and then finally watch the 2002 version.
The reason for this approach is to compare the endings of each. I understand that the director of the 2002 version changed the ending from that used in the 1972 film. From what I have read of people's comments the 2002 ending is just plain confusing whereas I understood the 1972 ending ok.
Which film did you prefer - the Russian version (it's amazing to think that this film was made in Communist Russia) or the newer American version?
Incidentally from what I have heard about the 2002 film, the Director spends long periods of time focussed on a swirling, mystical orb whose presence throughout the film, and whose relevance to the other elements of the story remains largely a mystery.
Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler Spoiler
I understand that in the latter part of the film the camera focusses intently on the orb and then slowly draws back to reveal that the orb is in fact Clooney's tush!
cheers Peter
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