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Author
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Topic: Whale Rider
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Paul Mayer
Oh get out of it Melvin, before it pulls you under!
Posts: 3836
From: Albuquerque, NM
Registered: Feb 2000
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posted 07-04-2003 10:55 PM
Regal Village Square 18, screen #2, Monday 6/30/03, 4:45pm, $5.75 matinee
Flat common-width screen, movable top and bottom masking, Christie package (as mentioned in the rolling stock), approx. 200 seats; about 30 people in attendance.
This Regal location usually handles art and foreign product for the western side of Las Vegas (along with the Century Suncoast 16, and Regal's Colonnade 14 for the eastside).
Theater looked clean (lobby, men's room, screen #2). The floor in the men's room is beginning to flex though--an odd sensation walking on a ceramic tile floor that "gives" under footfalls.
This theater is running the video-based rolling stock "The 2wenty". There was a rather long pause (a couple of minutes) between the end of The 2wenty and the start of the 35mm trailers. Other Las Vegas Regal theaters I've been in had a much quicker (couple of seconds) video-to-35mm transition.
Video runs on the 1.85 screen--masking moves in for the 2.39. The masking hardware was very squeeky and noisy--sounded like the stuff hadn't been lubed in a long time.
2.39 aperture showed soft and dirty edges on the screen. Focus and framing appeared adequate. Light level appeared adequate. Print was mostly clean but had a few backing-side scratches on a couple of reels. Reel joins were visible and audible. This print had several in-the-frame lab splices. Projection lens appeared to have oil on it--the projected image was hazy with high black levels due to flare.
Sound level was fine, but sound kept reverting between digital (don't know what format) and SR especially on the first and last reels. Lots of digital mutes and skips.
* * * * *
I enjoyed this film very much, though I think the hype surrounding it might cause some to be a bit disappointed due to raised expectations. It is a quiet and understated low-budget film, competently put together. The little girl playing the lead character "Pai" (Keisha Castle-Hughes) is a revelation. What a remarkable, apparently effortless, completely natural, first-timer performance! I want to see this again (very rare for me these days) and will drag friends in to see it before it leaves. Well done!
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