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This topic comprises 3 pages: 1 2 3
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Author
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Topic: How The West Was Won...Reissue
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Martin Brooks
Jedi Master Film Handler
Posts: 900
From: Forest Hills, NY, USA
Registered: May 2002
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posted 09-18-2003 03:13 PM
quote: Having seen a couple of Cinerama films these past two years I can understand why the format died. Like I have said all along, its the story dammit.
HTWWW was probably the only Cinerama film with a decent plot, as lame as it was. The whole thing was based on a series of articles in Life magazine.
But the format died because it was too expensive to operate and when they kept impairing the format to reduce the cost of presentation, it was no different than any other 70mm format, so it became unnecessary.
Personally, I think most IMAX films are no better than most of the Cinerama films. They're both superb technologically, but DMR prints aside, are used mostly for travelogues and films of interest to a museum audience.
I haven't seen the restoration of HTWWW, but I do remember being blown away by the original, which I saw twice at the Loews Cinerama (Capitol) in NYC. I remember being especially impressed by a scene in which a character is standing in front of a window with a bar or music hall behind the window. The sound of the diffused music must have been sent to a different channel than the dialog taking place in front the window, and it all sounded incredibly real.
I saw It's A Mad, Mad, Mad World at the Warner Cinerama on Broadway in NYC and 2001 at the Boston Cinerama. I could swear that both of them played in mono. I remember being disappointed at both presentations.
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