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This topic comprises 2 pages: 1 2
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Author
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Topic: Lost in Translation
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Gerard S. Cohen
Jedi Master Film Handler
Posts: 975
From: Forest Hills, NY, USA
Registered: Sep 2001
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posted 09-27-2003 10:20 PM
Written and directed by Sofia Coppola and co-produced by her father, Francis Ford Coppola, this comedy presents the lives of an aging American movie star, played by Bill Murray, and a young neglected wife of a photographer, played by Scarlett Johansson.
The setting is a huge modern hotel in Tokyo, contrasting the frenetic neon street life, teeming with game arcades, and the silent stillness of the towering skyscraper landsape, with lonely bored principal characters in the hotel rooms above, On the one hand, night life partying with karaoke hipsters, frenetic clowning of talkshow hosts, and the absurdity of advertising commercial production, while in the same city the peace of temple gardens and flower arranging, provide background for the melodrama.
The film has some hilarious situational comedy. The English dialog, for a comedy, lacks witty repartee, being realistic to the point of silences when the would-be lovers are tongue-tied by their prior marital commitments. (The meeting of the principals reminded me of "Strange Iterlude" with added contrast of their ages.)
I really enjoyed the scene in the electronic arcade, seeing the young gamers playing the machines like drums, inventing their original musical interactivity not dreamed of by the inventors. (Whatever became of the pachinko parlors?)
As for the ending, as they used to say in japan, "Shii katta ganai..." ................................................................ Screened 09/27/03 at the Kew Gardens Cinema,(Sr. ticket $5.00) at 7 PM, attendance about 45. Five CA trailers + 3 PSAs; image and sound good, except trailers were joined with opaque tape with marker writing on them.
Gerard
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Pravin Ratnam
Jedi Master Film Handler
Posts: 844
From: Atlanta, GA,USA
Registered: Sep 2002
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posted 09-28-2003 08:14 AM
Movie was pretty good. But like the other Sophia Coppolla movie, Virgin Suicides, this movie is paced slowly. So you need to watch it when you are in a mellow mood. However, the slow pace is a lot more welcome as you can immerse yourself into these situations unlike Virgin Suicides where you maintain a distance from the characters and can merely empathisize with them.
The leads, especially Murray, were really good in this. And Sophia the filmmaker has shown a refreshing restraint in depicting the relationship other indie filmmakers may not have been able to. Some other indie filmmaker would have had them jumping into the sack the first night and have them worry about the ramifications about such an event later on , whining the rest of the movie. See for yourself how this relationship progresses.
Another thing I liked about Coppola's writing was that she resisted the temptation to launch into full scale indie cutesiness with a bunch of quirky situations popping up througout the movie. The movie starts off with some easy comedic targets, but becomes bigger than that later on .
I liked the karoake scene with Roxy Music's More Than This. Bill murray does a good job in showing his new found earnestness when singing that song.
My only quibble in the movie was that it takes a little while to warm up to the Scarlett Johansenn character. You would think that she would find something interesting to do instead of being so self pitying at the beginning. I don't think we ever know what she is looking for to make her time pass better. But you tend to overlook that later as you warm up to the character.
It's nice to see Sophia Coppola has surpassed her dad's quality output in the last 2 decades with 2 good movies in a row with the second one being better than the first.
If you liked Linklater's Before Sunrise and Wes Anderson movies like Rushmore and the slower paced Royal Tenebaums, you are a good candidate to like this movie. Sorry, I can't think of any other way to describe the appeal of the movie. However, it lacks the poetic visuals of a Wes Anderson movie, though the visuals are effective in their own right. Supposedly Wes Anderson helped Sophia Coppola in getting Bill Murray to warm up to the script.
Frontrunners for lead actor in my book so far are Paul Giamatti for American Splendor and Bill Murray for this movie. Unfortunately, judging by the indifference the academy has to these kind of movies (i remember how Punk Drunk Love got snubbed, Royal Tenenbaums didn't get any acting nods, Bill Murray didn't get anything for Rushmore), I don't have high hopes for any oscar for this movie or American Splendor.
Watched it at a Madstone in Atlanta. The pic wasn't framed right by the theater. You could see the tips of the boom mikes 3 or 4 times.
(edited because I felt my original review was incomplete). [ 03-20-2004, 04:56 PM: Message edited by: Pravin Ratnam ]
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Paul Linfesty
Phenomenal Film Handler
Posts: 1383
From: Bakersfield, CA, USA
Registered: Nov 1999
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posted 10-13-2003 05:02 PM
The film is very laid-back, slow, deliberately quiet. The characters felt so real. Dialog was spare, letting the emotions behind the words drive the characterizations. Coppola seems to have a firm hand on direction. not a "fun" movie as people might think from Murray. And the temptation was avoided to "pump" up comedic elements, as nothing really out of reality happened (no, the karaoke scenes weren't even made into a big joke). Some reviewers complained the film didn't really understand Japanese culture, but that is fine, as the characters didn't either (and this really wasn't the point, anyway. The characters didn't really understand themselves).
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Paul Mayer
Oh get out of it Melvin, before it pulls you under!
Posts: 3836
From: Albuquerque, NM
Registered: Feb 2000
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posted 12-23-2003 07:46 PM
Finally, got around to seeing this one, still playing but only two shows a day on one screen in town.
Enjoyed this one very much. Can certainly relate to the disorientation one can feel when being thrown into such a totally foreign milieu as modern-day Tokyo and its hipster scene. (FWIW older non-local Japanese can feel just as disoriented when visiting Tokyo. ) Can also relate to the mid-life crisis thing, or is it just temporarily losing one's way, living for the moment, not sure of the path one has chosen, reacting to instead of planning for life's events? Anyway, really liked it--looking forward to having it in my DVD collection.
* * * * *
Century Suncoast, Tuesday 2:15pm show (2nd of 2), $5.75 matinee price, screen #1, about 15 attendees.
Framing, focus, and screen illumination OK. Sound level OK, but will have to see what this title is supposed to sound like when the DVD comes out. This print was trashed--horizontal and vertical scratches throughout the full length. Some vertical scratches deep enough to show green or yellow. A dirty print too, again throughout the full length. Sound played muffled, scratchy and distorted on anything other than quiet dialog. Lights in the booth caused distracting patterns in the house. Someone had picked up the bottom drape and flopped it over the top of the bottom screen mask (they probably keep the trash cans under there). Very classy. The print tailed out on the screen--as has just about every other title I've seen at this theater. In the past this theater has done better--with this show they have certainly slipped badly on presentation. [ 08-27-2005, 11:03 PM: Message edited by: Paul Mayer ]
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