|
This topic comprises 2 pages: 1 2
|
Author
|
Topic: The Last Samurai
|
Michael Schaffer
"Where is the Boardwalk Hotel?"
Posts: 4143
From: Boston, MA
Registered: Apr 2002
|
posted 12-06-2003 02:34 AM
How come nobody has posted a review of this yet? Anyway, I like long epic movies (except for "Postman"). This one here has some kitschy moments, but overall it is a good long epic movie and has very attractive photography. The fascination that the Western World - understandably - has for Japanese culture is nicely captured in this movie. It also looks into why some people cross over into other worlds. Cruise`s character is deeply troubled because he has done bad things to the Indians (sorry, Native Americans), and he redeems himself by doing good things for other people. Why not? A lot of careful preparation went into this movie. Cruise speaks good Japanese (not really fluent, but exactly how you would somebody expect to speak after a couple of months) and is a very agile swordsman (at 41!). The historical background is very interesting and believeable. The forced opening of Japan to the West in the 1860s, after more than 2 1/2 centuries of isolation, and the clash of East and West must have been even more drastic than in the 16th century. In that era, Westerners (as seen in "Shogun") played a significantly smaller role and most of their influence vanished during the subsequent isolation. In the latter period, Japan was changed forever. You can still see how much the old and the new world had collided - a lot of the old Samurai castles were destroyed to weaken the old families. Now nothing is left except for the bases, broad flat hills.
| IP: Logged
|
|
|
|
|
|
|
|
David Stambaugh
Film God
Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
|
posted 12-07-2003 08:01 PM
Today, 11:50AM, Regal Cinema World 8, Eugene OR, House #3, DTS sound (ES? Seemed like it might be). Attendance about 35. Except for a few nasty lab splices, this movie looked fantastic: very sharp, bright, steady, etc. Rich saturated colors, deep blacks, loaded with detail. Xlnt DTS sound. I noticed 2 flashes of crap code in reel 2, but at least they made an attempt to hide it at scene transitions.
What everyone else has said. I don't think this is Tom Cruise's best work, but he was very good and so was everyone else in it. The story arc and fascinating characters are the thing here, along with the beautiful cinematography and scenery etc. An excellent film. There was even spontaneous applause from the small crowd as the credits rolled.
| IP: Logged
|
|
Pravin Ratnam
Jedi Master Film Handler
Posts: 844
From: Atlanta, GA,USA
Registered: Sep 2002
|
posted 12-08-2003 02:10 AM
I liked the movie and it met my expectations. The Ninja attack scene was the best part of the movie. However, I too agree that this is not Cruise's best work even if he acted pretty decently. He just looked too contemporary in some scenes, especially his first meeting with the Japanese where he is in his smirky "Cocktail" mode. But compared to the Bride, the other white movie character of 2003, Cruise holds the sword more credibly and his Japanese seemed easier on the ears(By many accounts, Uma's Japanese supposedly was pretty bad).
The movie can be pretty much summed as Dances With Wolves with a Braveheartish finale and a tiny dose of the Man From Okinawa Kill Bill segment mixed in between.
Wantanabe will be predictably touted for supporting actor nods though he should be respected as one of the leads in this movie. I wish the director went even further and gave Wantanabe a showcase sequence like Tarantinto gave to Sonny Chiba in the sword presentation scene in Kill Bill where Chiba was able to sound majestic by speaking non stop in Japanese over a great music track instead of having to mix broken English into the serious dialogue. It seemed like the director had to put Cruise in almost every scene when Wantanabe's character demanded undivided screen time. If you want to enhance the majesty of a character, let him speak uninterrupted in his native tongue for a while.
I did like the fact that swords were not all super shiny like they were part of a display case at a shopping mall and seemed more rugged suitable for the characters of this movie.
The ending seemed a little too pat. Then again, I never read the book. So the movie just may have been faithful to what was written.
Music by Hans Zimmer didn't hurt my ears and was an improvement over his horrible score for Black Rain.
Oh, the good news is that the CRAP CODE must have been discrete because I didn't really remember seeing it.
While the cinematography was no slouch, I think more credit should be given to the production designer and the location scouter.
Don't let my many quibbles stop you from seeing it. It is still one of the better hyped movies in the last two years.
| IP: Logged
|
|
|
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 2 pages: 1 2
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|