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This topic comprises 2 pages: 1 2
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Author
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Topic: Million Dollar Baby (2004)
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David Stambaugh
Film God
Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
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posted 01-30-2005 05:41 PM
Today, 11:50AM, Cinemark 17, Springfield. House #8, DTS. Attendance around 50. OK presentation, no serious complaints. Very good sound.
I thought I knew what this was going to be about but it turned out I was only half right. The story starts out moderately interesting, then builds momentum toward an unexpected climax. A very well-crafted and engrossing film, worthy of the Oscar nominations it received. Hilary Swank is awesome! When Clint Eastwood is gone he'll be remembered as one of the great filmmakers, and no slouch as an actor either.
On a 5-star scale, 4 1/2 stars from me.
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Aaron Garman
Phenomenal Film Handler
Posts: 1470
From: Toledo, OH USA
Registered: Mar 2003
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posted 01-30-2005 06:53 PM
To be perfectly honest, I did like the film, would reccomend it, but I felt Mystic River was the better film of Eastwood's most recent work. This one just didn't grip me as much as that one did. Sure, all around the movie was exceedingly well made, acted, written, etc. but I just found it less intriguing than Mystic River. Out of 4 stars, I give it 3.14.
One question about the sound mix...it was great, except that at times I found it hard to understand Morgan Freeman's voice over. I saw it in SRD. Anyone else notice this, along with generally lower dialouge levels?
AJG
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Michael Schaffer
"Where is the Boardwalk Hotel?"
Posts: 4143
From: Boston, MA
Registered: Apr 2002
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posted 02-01-2005 03:17 AM
I liked it and thought it was a well-made and touching movie, but to be honest, I didn't think it was THAT great. It looked a little bit to me like it was made to look really great and deep, but didn't quite deliver. This could actually have been a better movie had it been a smaller production, with not quite as big names who seem to act fully conscious that they are making a deep, "arty" movie. Does that make sense? SPOILER This may not seem like an important detail, but when you want to create a coherent athmosphere, every bit is important. But I wondered why the Eastwood character left the tube off and his fingerprints all over the machines after he had "killed" the girl. Did he set himself up for a murder charge? I found the characters a little underexposed though. There is some dark mystery in the protagonist's past. Do we need to know what it is? Not really. But it doesn't really seem to torment him that much, he just goes to church every day. Something else bothered me a little: so he is a successful trainer of boxers who make it to the top tier, but there are only a few characters hanging around his gym and he seems to hardly make ends meet? That doesn't make sense to me.
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Bobby Henderson
"Ask me about Trajan."
Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 02-06-2005 01:44 AM
I watched the late show of "Million Dollar Baby" at the Carmike here in town. Excellent movie, IMHO.
This is one of those simple on the surface, yet profoundly deep films where viewers can come away with their own interpretations. To me, this was a story whose theme says that things like real success, glory, respect and loyalty must be earned. Sometimes it comes from painful choices and sacrifices. Even if a person stays true to the goal, the fight to earn what one needs never ends. I think the movie also hits the point about how some choose not to fight because they fear what they may lose if they try, but never realising life is always working to pass them by as they sit in that comfort zone. Without getting into specifics, I think the movie plays as a metaphor to those themes.
With that in mind, I don't agree with complaints over plot details about if a character left fingerprints on a hose or what happened to a dirty fighter. Those details are arguably irrelevant. The part of the story that matters is what is going on in the hearts of the main characters. "Million Dollar Baby" fleshes that out just fine.
I expected to see a great performance from Hillary Swank, and she certainly delivered. But I was also surprised at how great Clint Eastwood performed in his role. The only role/performance I can gripe about is the "Danger Barch" character (played by Jay Baruchel). I felt the stupid Texan character crossed the line into stereotype at times, threatening to distract from the film rather than help it. Ultimately, that character arc redeems itself in the film's plot.
Oh, I nearly forgot. Kudos to Clint Eastwood and D.P. Tom Stern for shooting this primarily in true anamorphic 'scope. Even though this was a dark, shadowy movie, I think the 'scope look helped it. Super35 probably would have been grainy as hell. That look might be fine for something shooting for the same feel as "Raging Bull," but this movie works with solid visual tonality.
quote: Aaron Garman One question about the sound mix...it was great, except that at times I found it hard to understand Morgan Freeman's voice over. I saw it in SRD.
I think this is factor of the sound mix itself; the playback I heard was in DTS in a very recently tuned auditorium. Freeman's narration is recorded with a little too much bass and low midrange. Not enough crisp top end to help bring out the enunciation of the words.
Overall, the quality of the sound mix was good. It's not an aggressive mix. However, there were a couple points where (and I would usually be the last person to complain about this) the surrounds seemed distracting. Much of the action is up on the front stage. But a couple times there are key sound points, such as an opening door, that are deliberately placed in the surrounds.
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