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This topic comprises 2 pages: 1 2
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Author
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Topic: The Hitchhiker's Guide To The Galaxy (2005)
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Brian Michael Weidemann
Expert cat molester
Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004
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posted 04-26-2005 06:13 AM
I must point out that my review is coming from a fairly biased perspective, but I imagine that all previous fans of the book(s) will have similar sentiments going in, as well as coming out.
I loved it! I thought what they ended up doing to turn the meandering, aimless flow of the book's narrative into a cohesive movie plot arc was about as clever as the original insights that made the books so appealing. The movie worked, it made a bit more sense as a unit. Granted, it took its adventure-movie twists and sidetracking, but it kept it moving. There are really no dull parts.
I knew that stuff would be, and would need to be, added; for instance the John Malkovich character appears nowhere in HHGG. Also, a few bits of dialog were thrown in to kind of smooth over (perhaps gloss over) some of the motivations. After all, in the book, Arthur did seem to just go with the flow more than we'd expect from a normal human in such extraordinary circumstances.
There is a nice touch of emotion, and humanity, and the obligatory weight of the romantic tensions between Arthur and Trillian, that wasn't so much in focus in the book. They developed the Vogons as the bureaucratic paperpushers they are, that they previously were really only footnoted as, and they did it in a very British way, I thought.
There are plenty of references to the original BBC television series! I clapped to the cameo of the original Marvin costume, for instance. And you can never get sick of that theme song.
If there was anything I was disappointed at, it's that some of my favorite bits of dialog were cut from (or perhaps just not written into) some classic scenes that WERE included.
All in all, there was enough humour verbatim from the book to satisfy the hardcore buffs trying to mouth the words along with it, and enough fresh and classically Adams content to make it new and exciting for those of us who, though we COULD recite the titles to Oolon Coluphid's trilogy of philosophical blockbusters by heart, would rather just sit back and watch the movie.
Now, how does the movie hold up to someone "uninitiated" or previously "uninterested"? I really couldn't tell. I think it's objectively funny, and I like the way they held off on some of the "answers" that are plainly obvious to those in-the-know. But most of all, there's character growth so you don't go "Well, what was the point of that?" when the credits roll (a reaction some people get after trudging their way through the book waiting for something to "wrap up", be it nice-and-tidy or otherwise).
Oh, but one more thing (possible spoiler!) ... I never thought the words "So long, and thanks for all the fish." would sound so moving as a musical number.
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Brian Michael Weidemann
Expert cat molester
Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004
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posted 04-27-2005 03:45 AM
I'm pretty sure the original male "human" characters were described by nothing more than "six-foot tall, ape-descended bipeds". Just because Ford was played by a white English dude in the original television series didn't necessarily make Ford a white English dude ... in fact, he's not from Guildford at all, but from somewhere in the vicinity of Betelgeuse.
I didn't have a problem at all with Mos Def. He did a great job. Let's see ... The original Trillian was blonde and ditsy. The original Vogons had pig noses and a bad makeup job. So they took some forgivable liberties, big deal! I do happen to think that Martin Freeman as Arthur and Alan Rickman as the voice of Marvin were PERFECT casting.
I read that this was one of the challenges of making the Hitchhiker's movie: not making it so BRITISH (because, after all, the galaxy isn't limited to, say, Islington or Cornwall), but keeping the fresh, dry, undoubtedly British-ness of the original sentiment. Whether or not I can make the exact distinction between those, I think they succeeded. It's not a British movie. It's a movie that happens to start with a house, somewhere in England, and follows the perspective of a character who happens to live there.
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Arthur Allen
Film Handler
Posts: 99
From: Renton, WA, USA
Registered: Aug 2001
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posted 04-27-2005 10:50 AM
Because they kept the same actors for Arthur and Zaphod between the radio and television series, those characters probably bear more scrutiny from the die-hard fans than Ford and Trillian, who were already recast between two previous versions. Everyone else are either voice characters, under heavy makeup, or aren't as important.
At the preview showing last night, the theater tried to put foil cues before the tribute credit, but luckily the lights did not turn on and the half the audience that was left got to see the end credits and a bonus sequence under optimal viewing conditions.
One more thing: if you go, bring red and blue 3-D glasses. I don't know if it will actually work, but one sequence seems to be in red and blue 3-D. I think blue goes over the right eye. Perhaps this is something dollar houses could do when the audience gets smaller: scrounge up some red and blue glasses and hand them out to the audience.
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Brian Michael Weidemann
Expert cat molester
Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004
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posted 04-29-2005 03:59 AM
Yep, I knew I couldn't tell how objectively good it was. I reviewed it as an adaptation, not as it stands by itself.
Oh, and Brad, I never said it WASN'T goofy and dorky! That's a given.
The only thing I can say is if you didn't find the "humour" very humourous, then you probably wouldn't like the books (at least, not as comedy), since the whole style of the text was quite faithfully reproduced (assuming, fallaciously, that anyone who liked the books first will automatically love the movie). Too bad. I'm looking forward to seeing it again on Sunday.
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Brian Michael Weidemann
Expert cat molester
Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004
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posted 04-29-2005 09:03 PM
I've never liked an AMC presentation, and this is disregarding any preshow stuff. A sharp, clear sound presentation is kind of essential to a dialog film, and AMC auditoriums ain't nowhere near the top of my list of choices.
Yes, the British manner of talking is difficult to follow, for us "American English" native speakers, since much of it is muttered, which is part of its charm. Even knowing this, AND being familiar with the plot, it's difficult to follow all the words. I caught parts of the movie again today and caught more of the dialog.
The love/hate reaction is apparent amongst my fellow employees, too.
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