Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » Film Handlers' Movie Reviews   » War of the Worlds (plus OT Spielberg's love affair with 1.85) (Page 1)

 
This topic comprises 7 pages: 1  2  3  4  5  6  7 
 
Author Topic: War of the Worlds (plus OT Spielberg's love affair with 1.85)
Mark Pierce
Film Handler

Posts: 11
From: Mount Juliet, TN
Registered: Jun 2005


 - posted 06-28-2005 11:05 AM      Profile for Mark Pierce   Author's Homepage   Email Mark Pierce   Send New Private Message       Edit/Delete Post 
Oy! What can I say, it was pretty terrible. the visuals were really good but the story line was absolutely horrible. Nothing in the movie was explained and it ended so quickly that it diddn't make any sense.

Unfortunately, the movie slump is going to continue... Here's to hoping The Fantastic Four is good!

 |  IP: Logged

Christopher Seo
Jedi Master Film Handler

Posts: 530
From: Los Angeles, CA
Registered: Jun 99


 - posted 06-28-2005 01:06 PM      Profile for Christopher Seo   Email Christopher Seo   Send New Private Message       Edit/Delete Post 
I had the same impression. See it for the visual effects, not for the story (though it's better than "Signs"... [Smile] ). Maybe I missed some narration at the beginning which would have made the narration at the end less abrupt. The ending is a deus ex machina if I've ever seen one, and unfailingly happy in the hands of Spielberg.

 |  IP: Logged

Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 06-29-2005 01:20 AM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
Gosh. I actually kinda liked it. Summer movies aren't supposed to have plots, are they? [Confused] And I'm wondering if you guys saw the original... it also ended pretty abruptly - as did the radio drama.

Tom Cruise was himself, Dakota Fanning was marvelous as always, and I thought this movie was a pretty good summer time popcorn flick.

[thumbsup]

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-29-2005 04:15 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
This one is a nice stinky turd of a summer movie, and probably the worst film Spielberg has ever directed.

The CGI effects are ok I suppose, but again just like with most movies of the last few years, when not used sparingly (as in this movie), they become "blah" and have less of an effect, and are often just funny.

The sound mix on this was pretty good, but that's about all I have to say positive about this film. Everything from the boring script to the bad pacing and the "I don't care which of the cast lives or dies" to the Vaseline-covered lenses and bleached colors not forgetting the "eyepatch-over-one-eye FLAT FORMAT" to the incredibly shaky image from the printers, the Ed Wood narration by Morgan Freeman and the entire ending scene...this one's just a steamy turd.

1.5 out of 5 stars
[thumbsdown]

SPOILER ALERT - yes it's true the son somehow didn't die and is reunited in the end with the entire family who all miraculously survived, even though damn near the entire rest of the planet is dead. Did you actually expect anything less? LAME!!!!

 |  IP: Logged

Paul Konen
Jedi Master Film Handler

Posts: 981
From: Frisco, TX. (North of Dallas)
Registered: Jun 99


 - posted 06-29-2005 10:31 AM      Profile for Paul Konen   Email Paul Konen   Send New Private Message       Edit/Delete Post 
It was somewhat exciting at times. I saw the shakiness too.
Anyone could have probably done Toms' job. Dakota was good. (I wonder how she is going to be mentally when she older doing all these freaky movies)

Somethings don't make sense. How did the video camera work when all the vehicles / electrical appliances were dead. Only that van would work.

I do think that the visuals were good. Especially the camera work involved when the family was trying to escape through the perfectly placed cars on the road so he could drive around each and every one. Do you think that this was done with green screen and filled in?

 |  IP: Logged

Michael Barry
Jedi Master Film Handler

Posts: 584
From: Sydney, NSW, Australia
Registered: Nov 1999


 - posted 06-29-2005 11:48 AM      Profile for Michael Barry   Email Michael Barry   Send New Private Message       Edit/Delete Post 
What Brad said about the photography/print of the movie really stood out for me to the point of distraction.

I can't understand why it looked so soft and unsteady either (and the preceeding trailers were pin sharp). To add to this, the print I saw had a vertical scratch all the way through reel 2 and cap code all the way through the entire movie. This is on the second day of a new movie - the theatre should really have the print replaced.

I should really be reviewing the movie here, I know. When I finally get the chance to see the movie properly, I will do just that.

 |  IP: Logged

Kurt Zupin
Jedi Master Film Handler

Posts: 989
From: Maricopa, Arizona
Registered: Oct 2004


 - posted 06-29-2005 12:01 PM      Profile for Kurt Zupin   Email Kurt Zupin   Send New Private Message       Edit/Delete Post 
This was nothing special, along with Brad I would have to say this is not Spielbergs shining moment. But it wasn't beyond watching. Cruise was very flat.

I think its worth seeing in the theater if for nothing more then for the Tripods at first before it gets old...and for the boat scenes.

Paul the van worked because the guy fixed something in the engine that was fried and it worked. The mass panic when they got to the dock, kinda reminded me of a zombie movie the way they were all trying to get the van.

All in all

[thumbsup] [thumbsup] out of [thumbsup] [thumbsup] [thumbsup] [thumbsup] [thumbsup]

 |  IP: Logged

Allison Parsons
Jedi Master Film Handler

Posts: 630
From: East Peoria, IL
Registered: Oct 2004


 - posted 06-29-2005 02:38 PM      Profile for Allison Parsons   Author's Homepage   Email Allison Parsons   Send New Private Message       Edit/Delete Post 
First off, tripods in general scare me. Anyone remember the old PBS series called 'Tripods'? I doubt it, but it spooked me when I was a kid. Also, the oringial WOWorlds scared me when I was a tyke as well. So, alien invasions + tripods = a big no no to Allison.

So I watched this last night and the first hour or so (start laughing at me now..) scared the living crap out of me. I don't know why, probably going back to the childhood Tripod trama thing. Seriously, watching these huge mechanical machines destroying everything and people being totally helpless really got to me.

Then came the introduction of Tim Robins. After that, the movie totally fell apart and I was bored till the end. Nothing like a good rush to the ending to ruin a film! I was hoping for at least a good homage at the end when the alien's hand comes 'crawling' out of the space ship. That was even bad!

first hour: 4 out of 5 stars
last half: 1 out of 5 stars

 |  IP: Logged

Dan Suomi
Film Handler

Posts: 53
From: Aurora/Oswego, IL
Registered: Jul 2004


 - posted 06-29-2005 03:49 PM      Profile for Dan Suomi   Author's Homepage   Email Dan Suomi   Send New Private Message       Edit/Delete Post 
I kinda liked this movie. I do agree though it's not one of Speilberg's best. I don't think that Spielberg needed to direct this film, anyone could have done it and gotten the same result. Tom Cruise's acting sucked, no wonder why he has gone all crazy lately. The more I think about it, the more I think that Speilberg was bored and needed something to do and that's why we decided to make this film.

 |  IP: Logged

Lyle Romer
Phenomenal Film Handler

Posts: 1400
From: Davie, FL, USA
Registered: May 2002


 - posted 06-29-2005 07:48 PM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
I thought it was more like a collection of scenes than a movie. No flow to it and most of it made very little sense.

Possible Spoilers......

The entire Tim Robbins sequence was pointless and boring and I think I already saw the scene of the tenticle chasing them around (only it was a kitchen with Velociraptors in Jurassic Park, reflection and all).

How does the son not only survive but somehow beat them to Boston?

Why do the tripods vaporize everything excep Tom Cruise when he is near everybody getting vaporized?

How does a plane crash leaving a huge debris field yet their van is unscathed and there is a clear path to drive out?

This script made Episode III look like it should win best screenplay. Dakota Fanning made me keep checking my ticket to make sure I wasn't watching "Hide and Seek" again. She played her part the exact same way in both movies.

2/5 - Watchable and good visual effects (although I agree with Brad they were overused). Sound mix was good.

 |  IP: Logged

Tracy Bellar
Film Handler

Posts: 72
From: Sciotoville, Oh.
Registered: Mar 2005


 - posted 06-29-2005 10:25 PM      Profile for Tracy Bellar   Author's Homepage   Email Tracy Bellar   Send New Private Message       Edit/Delete Post 
I liked it. Not like I thought I would. I was expecting the big action movie where the star comes in and saves the earth. I think this was a good role for Tom Cruise. Not what you expect out of him. The only complaint is the quikee ending and the sons return without any explaination. What did the tri-pods find distastfull about Boston? Devastation everywhere but in Boston. I think that the feeling of being overwhelmed came accross very good. This made the whole situation believable. I like that Tom Cruise was a dead beat dad and not some superhero. He played a real person with problems for a change.

 |  IP: Logged

Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 06-29-2005 10:27 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
I wish I could be a deadbeat dad. Hopefully someday I can be.

 |  IP: Logged

Robert John Jeromson
Master Film Handler

Posts: 264
From: Auckland, New Zealand
Registered: Jul 2004


 - posted 06-29-2005 10:40 PM      Profile for Robert John Jeromson   Email Robert John Jeromson   Send New Private Message       Edit/Delete Post 
quote: Lyle Romer
How does the son not only survive but somehow beat them to Boston?

Why do the tripods vaporize everything excep Tom Cruise when he is near everybody getting vaporized?

The miraculousness of the lead characters survival in the face of certain death is pretty much the same in the book, ultimately concluding with him deciding that he doesn't want to be alive if the rest of the world is dead, he decides to give his life to the Martians only to find, low and behold,

CAUTION SPOLILERS AHEAD
>
>
>
>
>
>
>
>
>
>

that the bugs (micro-organisms) have wiped them out.

In a lot of other ways this film follows the book very closely,

The curiousness of the humans at the aliens arrival, the devastation of the first encounter, him moving his family to what he believes is safety

(although in the book it is his wife, whom incidently he is seperated from and belives to be dead, only to find her at the end)

the exodus of survivors, the attack on the river

(in the film this scene is a composite of two in the book)

the imprisonment in the house with the "Curate"

(An Ambulance driver in the film, "Ogilvy" is the Astonomer in the book, but charater in the film is a composite of the "Curate" who thinks the Martians are demons, and "The Artilleryman" who wants to build a civilisation under ground)

The subsequent death of the the "Curate"

(Altough in the book the lead character doesn't kill him)

and "The Red Weed".

Yeah, Keopp has taken a lot of licence with the material but in general it is as faithfull to Wells' story as a modern version could be. I am certainly prepared to forgive most of its shortcomings.

It isn't ID4, a fact for which I am quietly greatful.

4 out of 5 stars.

 |  IP: Logged

Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 06-30-2005 12:20 AM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
After reading Brad's review, I realized that I forgot to mention the stupidity of making this movie FLAT. Freakin Honey Mooners and Sisterhood Of The Traveling Pants are both SCOPE... but War Of The Worlds? Nope, Flat. WTF, Spielberg??? [Mad]

 |  IP: Logged

Dominic Espinosa
Phenomenal Film Handler

Posts: 1172
From: California, U.S.A.
Registered: Jan 2004


 - posted 06-30-2005 02:04 AM      Profile for Dominic Espinosa   Email Dominic Espinosa   Send New Private Message       Edit/Delete Post 
Apparantly most of Spielbergs crap is flat.

I enjoyed it for the most part. It was a little lacking in something good to grab onto. Mostly just a big blur of effects and such.
I thought they aliens were funny lookin' though.
And I did have a good time heckling it...Not as much fun as The Ring, but fun.

3.5/5

P.S. - *beware of spoiler*
In the scene where Rachel asks her dad (Ray) to sing her a lullaby and he couldn't think of any it's fun to start singing "It's the end of the world as we know!"
Good effect, I thought [Wink]

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 7 pages: 1  2  3  4  5  6  7 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.