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Author
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Topic: Domino
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 10-14-2005 10:27 AM
quote: Mark J. Marshall What's 90120 ?
The mail zip code for Beverly Hills, California:
http://www.vidiot.com/BH90210/
quote: Veteran cast members returning will be Jennie Garth, Tori Spelling, Luke Perry, Brian Austin Green, Ian Ziering, Vincent Young, Lindsay Price, Vanessa Marcil, Daniel Cosgrove and Joe E. Tata.
BEVERLY HILLS, 90210 is enjoyed by a wide audience both in the United States and abroad. It is seen by an estimated 200 million people around the world and ranks as one of the most watched American television shows internationally.
BEVERLY HILLS, 90210 is a Spelling Television Inc production. Aaron Spelling, E. Duke Vincent, Paul Waigner and John Eisendrath are the executive producers. Laurie McCarthy and Doug Steinberg are the co-executive producers. Brian Austin Green is a producer.
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Pravin Ratnam
Jedi Master Film Handler
Posts: 844
From: Atlanta, GA,USA
Registered: Sep 2002
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posted 10-15-2005 02:39 PM
If you thought, Tony Scott's Man on Fire has postproduction editing excess, that movie's got nothing on this. It's like Tony Scott , the geezer, is desperate to come across as some young hip director,except he uses a lot of 90s style in excess. He throws everything on the screen and of course, some of it will be great, and some of it will suck. Light a matchstick and it is shown from 4 different angles with sound effects that would put a Michael Jackson arm waving sound effect to shame. If he just toned it down 20% or so, it would still be plenty enough and not distract from the narrative. At least the shakiness and the quick edits settle down in the middle of the movie a little bit.
Having said that, I do like little stylistic flourishes like the use of captions here as he did in Man on Fire. It kind of brings you back into the story just as you get numbed by the stylistic excess. I also liked the movie overall and I think I will like it better on cable when i see it again because the shaky effect gets minimized on the small screen, and having seen the movie once you can appreciate the things that Tony Scott does do well. I liked Man on Fire more when I saw it on my HBO HD. There were some really fun moments in that movie that I did not appreciate the first time because of all the distractions.
Tom Waits can never be boring, but I thought his cameo amounts to an unintentional parody of his public perception. "oh let's put kooky looking Tom Waits with that voice in a scene and even if that scene is full of crap, it will somehow come off as so deep because it's Tom Fucking Waits."
Yeah I still liked the movie.
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