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Author
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Topic: Letters from Iwo Jima
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Gerard S. Cohen
Jedi Master Film Handler
Posts: 975
From: Forest Hills, NY, USA
Registered: Sep 2001
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posted 02-25-2007 03:18 PM
This film was a study of loyalties in conflict, as in a kabuki drama. Whether to die for the Emperor and nation in battle, or to commit suicide when all is hopeless, or to surrender to the enemy with the possibility of someday returning to one's family, are issues that confront the officers as well as their enlisted conscripts.
I liked the Spielberg touches--the variety of characters and their differing interests, backgrounds and attitudes, similar to his casting in Schindler's List. Or the use of symbolism--the presentation Colt 1911, a pre-war token of respect and friendship from Americans to Kobayashi, becomes a mere GI war souvenir, the recognition of which causes the baker to almost go mad. He swings a shovel as a weapon, an object introduced in an earliest scene where it symbolizes the futile toil of the defenders digging in the sand, then later the means of tunneling underground.
The letters themselves unify the story, tying past and present, homelands and island, ending as an archaeological relic producing a terminal cascade, as their publication in book form and film go global.
Examples of irony, whether Eastwood's or Spielberg's contribution to the film, include the flashback plot that reverses the true nature of the kempetai soldier, first thought to be a spy, and who, like the wounded American captive, universalizes the humanity and desire of peace of all people.
I enjoyed the almost all-Japanese cast and dialog, and the realistic portrayal of a culture formerly depicted stereotypically in many WWII films.
I did not see Flags of our Fathers, but I imagine it to be a desirable antecedent for viewing Letters.
A fine and memorable viewing experience.
Cinemart, Forest Hills, Feb. 25, '07
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