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Author
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Topic: American Gangster (2007)
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Frank Angel
Film God
Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999
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posted 10-31-2007 02:59 AM
True, but Dennis's point is well taken -- this failure in studio security negatively impacts the exhibitor's bottom line as well as the studio's. An exhibitor who agreed to certain terms based on the assumption he was getting a first run title now finds out that he's second run to wide spread DVD sales.
Look, the studios are constantly ha-rumphing and wringing their hands and gnashing their teeth about EXHIBITORS costing them umpteen billions of dollars in lost revenue because of low quality camcorder copies off exhibitors' screens and forever pointing the finger at those recalcitrant exhibitors who don't do enough to stop this piracy. They will sic the FBI on any theatre where they suspect a camcorder copy was made, even shut down all of Canada because of off-the-screen copies they think come from Toronto.
They will send security guards to sit in the booth when I run sneak previews, which makes me feel that the studios think that without that crack security guard sitting there (sleeping in the corner of the booth) my very first order of business the minute I got into the booth with the print would be to set up a camcorder and start video taping.
So it is only fair to ask, what security measures are the STUDIOS taking to prevent financial harm to the EXHIBITOR when pristine copies are being made in their own post production facilities? When it happens under their noses by their own people, their attitude seems to be "well it's unfortunate, but that's the nature of the business." So it's hysterics when crappy, barely useable bootlegs originate in the theatre, and just barely a yawn when pristine, high-quality bootlegs are generated in post production. Quite a double standard I would say which rightly deserves Dennis's and a
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