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This topic comprises 2 pages: 1 2
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Author
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Topic: U2 3D
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Brian Michael Weidemann
Expert cat molester
Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004
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posted 01-28-2008 04:38 PM
We had a great turnout for it over the weekend.
I, too, was impressed by the 3D. Lots of slow dissolves and composite shots put something in the background and something else from a different angle in the foreground, so there's a lot of depth to look at.
And the music is strong. While I wouldn't call myself a fan of the band, I don't hate U2 enough to say that it sucked. Watching from the booth, though, it's hard to sit through the whole 85 minutes.
It was shot in digital 3D. I'm pretty sure some of the visual artifacts don't happen any other way. For instance, if there are colored lights behind a white fog, the color is intensified. It doesn't look natural; as if a Photoshop saturation filter is overcompensating. Also, lots of lens flares looked funky.
But, considering the ton of cameras they had to be using, they did pretty good shooting and editing this thing.
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Brian Michael Weidemann
Expert cat molester
Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004
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posted 02-05-2008 04:51 AM
The sound was definitely compressed. I've managed to boost the volume from preset quite a few clicks, and none of the amps peak in the red. Before opening this film, we got memos from the distribution folks saying to crank it up higher than normal (along with some other "suggestions" for "improving" the presentation). While it was by no means quiet at "normal" volume, the mix can definitely be run a bit higher without blowing anything out ... at least, so far, for us.
The whole show is equally loud, to simulate a real concert, I imagine. A concert venue has the speaker arrays that can blow ours out of the water; after all, we're a movie house, not a 10,000-seat amphitheatre.
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Bobby Henderson
"Ask me about Trajan."
Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 02-23-2008 12:26 AM
Location: Carmike 8, Lawton, OK Auditorium: #4 (THX) Format: Real D/2K DLP Flat/LPCM 5.1 Rating: 3.5 stars out of 4
I watched U23D this evening and had a great time. For some odd reason not too many people attended the 9:30pm show. Perhaps there's not that many U2 fans in Lawton, Oklahoma. But that's their loss. I want to see this show again. U2 did an excellent job on stage. Those guys are starting to get old, but they still have all their chops.
The 3D quality was very good. Somehow the 3D effect held up very well despite lots of cameras dissolves from one shot to another and various shots with multiple camera angles superimposed in the same image. Some of the best 3D shots were long lensed shots looking at Bono and other band members through layers and layers of people in the crowd. The only time the 3D got iffy was when bright spotlights would shine directly into the camera.
My favorite song performances in this concert movie were New Year's Day, Pride (In the Name of Love), Sunday Bloody Sunday and The Fly -which featured layers of 3D animated text and graphics on screen superimposed over the band and the giant LED jumbotrons on the stage.
There's some political and religious overtones in this show, but I think the messages sent by the band are very positive. Some of what took place in this concert reminds me of the incredible halftime show U2 performed at the Super Bowl in 2002 (which, IMHO, was the best Super Bowl halftime show ever).
This show had a great sounding audio mix. Very active use of the surrounds. Vocals are even placed in the surrounds from time to time. Pretty good bass quality. If there's one criticism that can be made, it's that the audio sounds a lot more clean and clear in this "re-engineered for surround" mix than what you would hear if you were there watching this concert live.
The reason why I don't give this a perfect 4 out of 4 stars review is I felt the concert was too short in length. Some big hits like I Still Haven't Found What I'm Looking For and Desire were omitted. I would have also liked to see some of the band's earliest hits performed, such as I Will Follow.
Anyone who considers themselves a fan of U2 has to see this show. I think lots of people into good rock music will find at least some of it enjoyable. The concert movie is Rated G and family friendly. So take the kids and force some "old school" rock music onto them!
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David Stambaugh
Film God
Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
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posted 02-23-2008 10:35 PM
Today at Regal 15 in Eugene, #15, in Real D, NEC 2K DLP.
"Rattle and Hum" remains one of my more memorable moviegoing experiences to this day. It played in Dolby SR in a THX-Certified house, back when THX still meant something (Edwards Charter Centre) and they played it as loud as possible without putting the system into "distress". It was a totally immersive concert film experience and it sounded pretty damn good.
"U2 3D" rises almost to that level. U2's old-school music still holds up very well and this concert footage captures the magic. The 3D definitely adds to the experience. It was plenty loud, but if it were up to me I'd have played it a little louder.
About 10 or 12 years ago, U2 was gearing up for a big concert tour, and they played a sort of warmup gig here in Eugene at Autzen Stadium. Although I didn't go (regrettably), it was reportedly the loudest such event ever in Eugene. The stadium is about 3 miles from where I live as the crow flies, and I could hear most of the music well enough from my backyard to recognize it all. Some grumpy residents living nearby the stadium were up in arms over the noise, and I believe Eugene passed a new noise ordinance as a result of the complaints about U2.
Need I say it: Play it LOUD!
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Mike Schindler
Phenomenal Film Handler
Posts: 1039
From: Oak Park, IL, USA
Registered: Jun 2002
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posted 02-25-2008 01:59 AM
I recently read this article on 3D that James Cameron wrote for HD Video Pro Magazine (yeah, yeah). In it, he describes how the new philosophy behind HD photography, which movies like U23D are using, differs from 3D movies of the past. I'm sure all of this has already been discussed at great length, but for whatever reason this was the first time it really clicked with me.
Basically, the old way of thinking was that the point of convergence should be equal to the viewing distance. In other words, since the average viewing distance is approximately 30 feet from the screen, the point of convergence was set to 30 feet as well.
The result is stuff like the FLY ME TO THE MOON trailer. Most objects that you're looking at are "closer" than 30 feet, so your eyes have to converge them, which isn't a natural thing for them to do.
The new way of thinking is that the point of convergence should be set to whatever object you're actually looking at, much like focus. For example, if the point of interest is Bono, and he's standing 10 feet away from the camera, the point of convergence is also 10 feet. By doing this, your eyes don't have to converge the image, because it's already converged in the footage.
I'm sure I'm not doing a good job of explaining this, but I think that's why U23D looks so great, and FLY ME TO THE MOON causes eye strain. Luckily, it seems like most movies these days are adopting the new way of thinking.
P.S. Allison, I got a can with one of your robots a few weeks ago.
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Michael Coate
Phenomenal Film Handler
Posts: 1904
From: Los Angeles, California
Registered: Feb 2001
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posted 02-26-2008 02:30 AM
I've seen it three times now at three different venues and in both formats.
1st Screening: Universal Citywalk; Universal City, CA (Imax) 2nd Screening: Arizona Mills; Tempe, AZ (Imax) 3rd Screening: AMC Burbank 16; Burbank, CA (Digital)
Obviously, I think the film is great! Much of what I'd say about the film has already been said by others. Presentation-wise, I give a performance edge to the digital version. In the Imax presentations, the sound had that compressed characteristic others have mentioned.
to the AMC Burbank 16 for playing several family-friendly trailers (in 2-D) and the first five minutes of "Hannah Montana..." before realizing they started the wrong movie! And then, once "U2 3D" began a few minutes later, the first couple of minutes were in 2-D and with houselights up. Oh, the joy of two movies sharing a screen.
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