|
|
Author
|
Topic: Hellboy II: The Golden Army
|
|
Sam Graham
AKA: "The Evil Sam Graham". Wackiness ensues.
Posts: 1431
From: Waukee, IA
Registered: Dec 2004
|
posted 07-12-2008 04:33 PM
CINEMA: 13th Avenue Warren, Wichita, KS AUDITORIUM: 2 PRESENTATION: 35mm/Dolby Digital/THX PRESENTATION PROBLEMS: Previews started out of frame, fixed within minutes (not seconds, mind you...it was almost enough time to get the patrons to consider complaining) RATING: Three and one half stars (out of four)
WARNING: "This is the voice of the theatre. This review may contain contents of a Spoiler nature. Please proceed cautiously. And on a more personal note, I'm not wearing any pants."
This popcorn was so good, I was actually sorry I didn't order a large. It was "lick the butter off your fingers" good. (Yes, they use real butter).
THE PLOT: They paved paradise and put up a parking lot. Wackiness ensues.
I liked the first movie quite a bit, which I originally saw at a drive-in and more recently on Blu-ray. The Blu-ray disc, by the way, looks phenomenal.
The second one absolutely raises the bar. It's fun to watch, beautiful to look at, has all sorts of unique and unusual characters, is funny, has great action sequences, a nearly spot-on ending just when you think the whole thing is going south, and somehow even finds room for a Barry Manilow song. Twice.
It's a great summer popcorn flick, yet has layers that make it worth exploring over and over again.
| IP: Logged
|
|
|
|
|
|
|
|
|
|
Stu Jamieson
Jedi Master Film Handler
Posts: 524
From: Buccan, Qld, Australia
Registered: Jan 2008
|
posted 08-30-2008 06:48 AM
The problem with the first Hellboy film was that, other than a superlative performance by Ron Perlman in the title role, it just didn't give us what we wanted. And what we wanted was more action, more romance, more comedy, more drama, less dodgy special effects, a deeper storyline, more of Guillermo Del Toro's trademark production design and 300% more Liz Sherman. Hellboy 2: The Golden Army soundly delivers on all these items.
Is it possible that the term "visual feast" was prospectively coined specifically for Guillermo Del Toro's films? OK, probably not, but it certainly describes Del Toro's visual style to a tee. The lighting, the set design, the creature design - it's all gorgeous - and monopolising on the style and success of Pan's Labyrinth earns this film worthwhile viewing credibility for its visuals alone. The storys prelude, beautifully portrayed as an intricately designed marionette pantomime taking place within the fertile young mind of an 11 year Hellboy, is a nice touch; as is the awesome fight choreography and perfectly timed slapstick comedy which melds seamlessly into Del Toro's overall scheme.
While well-worn time-honoured themes and narrative constructs are the order of the day here, these are given a fresh lick of red paint in the context of the Hellboy-verse. The dysfunctional Mars/Venus-style relationship between Hellboy and Liz may be clichéd but in this context Liz gives new meaning to the term "going off". Such familiar melodramatic devices are also necessary to humanise Hellboy, impressing upon us that beneath those polled horns and the devilish goatee is an ordinary bloke who likes the simple things in life: unfettered adoration, celebrity, a good woman and a plenteous stockpile of ale, all punctuated with a little cathartic argy bargy. Similarly the film admittedly follows that standard, tired action formula which demands that our hero first suffer a humiliating defeat prior to finding some inexplicable inner strength which allows him to ultimately beat the villain to a pulp in the final confrontation. But Del Toro's unique twist on this formula (that Hellboy only loses his preliminary bout because of his inebriated state!) is funny and satisfying whilst still nodding faithfully to the genre stereotype. Of course, when our hero sobers up........well, let's just say that a wimpy 80's pretty-boy pop idol is no match for the contemporary hard rocker from hell whose devil horns are the real deal.
Ron Perlman is excellent, nailing the Hellboy character yet again. His vocal delivery of one-liners is spot on and it's a testament to his makeup artist that he can act so effectively through all that rubber. Luke Goss is good as the emotionally complex Elven villain, Prince Nuada. Perhaps this will be the performance to make him famous; maybe even get his picture in the paper. (I hear Yazz is angling for the villain role in the follow up.) Selma Blair is effective in the small but crucial role of fiery Liz Sherman, providing the much needed emotional foundation for Hellboy. And, of course, mime maestro Doug Jones excels yet again at acting through several lumps of prosthesis including the affectionate Abe Sapian and the beautifully sinister Angel of Death.
Stylistically closer to Pan's Labyrinth and better than it's predecessor in every way, The Golden Army represents another artistic triumph for Guillermo Del Toro and is a logical and confident stepping stone towards the forthcoming Tolkien gig.
8.5 out of 10.
| IP: Logged
|
|
|
All times are Central (GMT -6:00)
|
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|