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This topic comprises 2 pages: 1 2
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Author
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Topic: AUSTRALIA (2008)
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Richard P. May
Expert Film Handler
Posts: 243
From: Los Angeles, CA
Registered: Jan 2006
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posted 11-24-2008 01:07 PM
While not LAWRENCE OF OUTBACK, or GONE WITH THE KANGAROO, I thoroughly enjoyed all 165 minutes of this picture. It has about every cliche in the book (handsome cattle drover with glamourous English aristocrat, big cattle drive, very good good guys, very bad bad guys, child in peril, war) you name it, but it really moves and held the audience's attention. Just don't get too critical, and sit back and enjoy it. Seen at the Academy's Goldwyn Theater, with maybe 700 people. As always in this venue, a perfect presentation.
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Stu Jamieson
Jedi Master Film Handler
Posts: 524
From: Buccan, Qld, Australia
Registered: Jan 2008
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posted 11-29-2008 06:35 PM
I take my Akubra off to Baz Luhrmann, we haven't seen anything on as grand a scale as Australia since the glory days of Aussie cinema when we produced such splendid films as Breaker Morant, Gallipoli and (most notably in this case) The Man From Snowy River. It's just a shame that Luhrmann's picture required American money to make, an indictment of Australia's limited capital and (to a much lesser extent) the overall health of the local film industry. But regardless, Baz is flying the flag for Aussie culture around the world and even if it is represented in slight caricature, as in all good mockery, there is a strong element of truth in it.
My main concern for Australia was how much of a Baz Movie™ it was going to be, as each of his succeeding films to date had been more garish than the previous project; from the slightly wacky but play-it-straight Strictly Ballroom to the almost obscenely lurid Moulin Rouge. Thankfully, on a scale of Bazness, Australia is much closer to the former than the latter and, sans Luhrmann's trademark gratuitous flamboyance, stands to reach the largest possible audience - an important factor if the picture is to recoup it's not inconsiderable budget.
The photography of the film is quite extraordinary. Despite the location shooting, the film has a classic studio-lit look to it, mimicking the fairy tale quality of The Wizard Of Oz which it so frequently references. Of course, it's all very stylised but it's very pretty too, being the equivalent of the outback getting a fashion-shoot makeover - wash out the dirt and dust and apply some eye-liner here, some rouge there and a little bit of lippy there - when Baz is finished with the Aussie landscape, you'll want to take it out on a date (maybe even get a bit of action in the back seat).
The film plays to the strengths of it's cast: Nicole Kidman with her stiff-upper-lip English aristocrat; David Wenham's weasily bad guy with his trademark nasally whine; and Hugh Jackman's rugged ockerism, picking up and running with the "Baton of Quintessential Aussie Bloke" dropped by Paul Hogan some years ago. Anyone who ever performed in an Aussie movie (and is still alive) is in this film with the exception of Bruce Spence. No.....wait a minute.....there's Bruce there. Strike that previous assertion, everyone is in it!
In a time of social cynicism and a black-armband view of Australian history, Baz admirably pays his respects to the Stolen Generations without being overtly moralistic. Indeed, in a time where "nationalism" has become a dirty word, he respects all aspects of black and white culture without prejudice, presenting a film which all Australians can be justly proud. I wish it every success.
8 out of 10.
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