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This topic comprises 2 pages: 1 2
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Topic: Knowing
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Sam Graham
AKA: "The Evil Sam Graham". Wackiness ensues.
Posts: 1431
From: Waukee, IA
Registered: Dec 2004
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posted 03-22-2009 01:47 AM
CINEMA: 13th Avenue Warren, Wichita, KS AUDITORIUM: 14 PRESENTATION: Dolby Digital Cinema DLP/THX PRESENTATION PROBLEMS: None RATING: Two stars (out of four)
WARNING: "I know how this sounds, but I've mapped these numbers to the dates of every major Spoiler from the last 50 years."
So while waiting in line to buy tickets, I completely randomly bite my tongue for no reason. As an instant reflex to this, I shouted "FUCK!" right there in the middle of the lobby. Suffice to say, this turned some heads.
THE PLOT: A child puts some numbers in a time capsule. Wackiness ensues.
The plane crash was awesome. It completely kicked ass. The plot layout at the beginning was good too. It should have led to a better movie than it did.
Having said that, I didn't HATE it. It does remind you of the most recent "War of the Worlds", but it's more interesting than that piece of crap. Still, I'm comparing mediocre to crap.
Mark's comment ("This is OK if you have nothing better to do, but it should have been a lot better") pretty much sums up my opinion too.
I do hope the kids got a sex ed class in before they were dropped off...
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Stu Jamieson
Jedi Master Film Handler
Posts: 524
From: Buccan, Qld, Australia
Registered: Jan 2008
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posted 03-28-2009 09:03 PM
Holy crap! I shall have to disagree vehemently with you guys.....
Knowing is an odd film and a dangerous one for Aussie director, Alex Proyas. Rooting his film in reality and then sliding increasingly towards the supernatural, the trick here is to maintain story plausibility and, more importantly, a credible conclusion. Proyas has previously proven to be adept at pure fantasy (The Crow, Dark City) and stark reality (Garage Days) but can he succeed in mixing the two? The answer is an emphatic "yes" for although the conclusion of Knowing sounds a little ridiculous if you say it out loud, Proyas notches his film from the real to the unreal in increments small enough to prevent us from throwing up our hands and crying, "this is bullshit!". Of course, this is also the magic of story telling and it is to Proyas' credit that we buy it wholesale.
The film represents an outstanding technical accomplishment which, arguably, is merely par for the course for Proyas - the premature death of of his star never stopped him from finishing The Crow and his mastery of technical wizardry was on full display in both Dark City and I, Robot. In Knowing, the brilliantly staged, wince-inducing disaster sequences tragically and effectively drive home the full impact of the senseless destruction of human life during a catastrophic event. The film may be a slow burner but when something happens, boy does it happen!
Knowing has much in common with the recent remake of The Day The Earth Stood Still except there's no Keanu to save the day here, Proyas takes us down a much braver and nihilistic path. The film also has similarities to Darren Aronofsky's The Fountain with its themes of loss and the afterlife though because the story is initially deceptive in it's intent, this is not immediately apparent. And although Proyas shoots for similarly lofty goals, it's implementation is simply not as elegant as Aronofsky's film. Of course, Nic Cage is no Hugh Jackman either, even if the film does play to the strengths of Cage's limited acting range.
However, being somewhat less than Aronofsky's magnum opus is barely a fault and taken on it's own terms, Knowing is a consummate cinematic achievement.
8 out of 10.
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