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This topic comprises 4 pages: 1 2 3 4
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Topic: Inception (2010)
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Sam Graham
AKA: "The Evil Sam Graham". Wackiness ensues.
Posts: 1431
From: Waukee, IA
Registered: Dec 2004
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posted 07-17-2010 04:03 PM
CINEMA: 13th Avenue Warren, Wichita, KS AUDITORIUM: 14 PRESENTATION: Dolby Digital Cinema DLP/THX PRESENTATION PROBLEMS: None RATING: Three stars (out of four)
I wander down and get a center seat in, oh, row six or seven. The guy who sits in front of me is a middle-aged loser with stiff wirey hair hovering above his sweating bald spot. He's wearing a Shazam T-shirt that his mother clearly ironed for him. Perfect creases in the sleeves.
THE PLOT: Planting an idea. Wackiness ensues.
Wow. This one takes some work to follow, doesn't it. But it's visually solid, and it winds through its web of wonders nicely. I don't think it's THAT original or even a destined classic, and I don't feel myself needing to see it again, but the whole thing is good...I don't think they wasted a single frame.
The only question I was left with was "Did I just see a happy ending, or not?"
I suppose it doesn't matter...it was the right ending in any case.
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Joseph L. Kleiman
Master Film Handler
Posts: 380
From: Sacramento, CA
Registered: Apr 2005
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posted 07-17-2010 10:49 PM
Show: 8 am, 7/16/10 Theatre: Esquire IMAX Theatre, Sacramento, CA Projection: IMAX 15/70 on an IMAX GT projector Sound: IMAX DTAC
Cons: The only way I could think of anything negative is to compare this to Dark Knight. Both films had the same writer, director and DP, and both had the same feel and pace.
Dark Knight began with the IMAX "Think Big" (aka countdown) trailer in scope. This made a huge impact when the first shot filmed in 15/65 showed on the screen. Inception, like every other letterboxed DMR film went the other way, having the countdown trailer fill the frame, then dropping down to scope (2.35 or 2.4) for the duration of the show. This is a huge misleading issue that IMAX needs to fix in its legacy theatres.
The other problem I had was that in Dark Knight, all the aerial shots were filmed in 15/65. There were a lot of flyover shots establishing location in Inception and it would have added to the experience if Nolan had shot only these in IMAX.
Pros: During the DMR process, the film was scanned at 6K. Considering that most DMR is scanned at 4K and that the IMAX digital systems are comprised of two 2K projectors with additional light output, the only way to properly view the image (most of which was filmed on 5/65 stock), is in an IMAX film theatre.
The geometry of a traditional IMAX theatre really helps with the immersion. In Inception, this went into overdrive during the second half.
The soundtrack is also one of the best I have ever heard. There are subtle audio clues throughout the film as to what is really going on and I can't think of a better place to listen to it than an IMAX (again traditional architecture) theatre.
Film: 3.5 out of 4 Film in IMAX: 3.8 out of 4
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