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This topic comprises 3 pages: 1 2 3
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Author
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Topic: BLACK SWAN (2010)
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Tom Petrov
Five Guys Lover
Posts: 1121
From: El Paso, TX
Registered: Jan 2003
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posted 12-13-2010 09:29 PM
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Black Swan is a very good movie or film. Kind of reminds me of Jacob's Ladder (from memory, not for content but kind of for style) and Stanley Kubrick would love this movie. Also, Wes Craven would probably like this movie too.
This movie really grabs a hold of you. There is a scene midway through where Portman goes to a bar with a friend and the scene starts off at the bar, then dancing then back to Portman's bed. The scene is 20 minutes and its filmaking at its finest.
The film is kind of like art. I look at the poster of Portman and just can't get my thoughts out of my head on how the movie made me feel. The film really stays with you.
The three main actors are outstanding and the directing of these actors is very, very good. This is Portmans, Mila Kunis and Aronofsky's best work to date. I have not seen Requiem for a Dream. Mila Kunis really stands out. The score, editing and story are very good. I would have to say that there will be multiple Oscar noms for Black Swan.
I am not sure if this based on a book, but the screenplay is excellent. Finally a horror/thriller geared towards women.
The movie/film is a borderline thriller/horror and when you really think the director is going to let you go, he keeps grabbing at you.
I was going to say that "Never Let Me Go" was IMO the best film of the year, but "Black Swan" is now at the top of my top 10 list.
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Tom Petrov
Five Guys Lover
Posts: 1121
From: El Paso, TX
Registered: Jan 2003
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posted 12-25-2010 05:10 AM
quote: Mark J. Marshall I agree that a good movie can make you think about it afterward. That doesn't mean that every movie that I have to think about is a good one. Some movies end up being worse in my mind the more I think about them. But I am leaning towards liking this movie though.
Hey Mark, Usually I where the film stands or how much I like. With Black Swan I am still debating with myself whether it is the Best Picture of the year. I still have two more movies to go before I decide.
And you are right, sometimes movies become worse the more I think about them. Buried is one I can think of, as well as Sean Penn in Fair Game. For the most part, I usually know right away.
quote: Mark J. Marshall Seizure-Cam isn't exclusive to 16mm - it's terrible in any format. I wish film makers would knock it the hell off. As a story telling device it's so over used that it doesn't add anything except a distraction. I imagine one day we'll all look back on this period of film-making and marvel about how many potentially great films (and TV shows for that matter) were completely destroyed by the over use of that cinematic technique.
Extreme close ups can work. But when they're used so much that you start to notice them then it takes you out of the story. That definitely happened here. A lot of the movie just felt "in your face" to me. "In your face" is not the same as "intimate" which is what this story felt like it called for. To me it kind of looked like it was composed and shot for flat but was then cropped for scope.
Here is a quote by the cinematographer.
"We used a Canon 7D or 1D Mark IV for all the subway scenes; I could just carry a 7D and shoot on the subway all day with a very small crew"
They were filming gorilla style which is pretty cool.
It was a single-camera shoot except for maybe one day, and our main camera was an Arri 416, which we used with Arri Ultra Prime 16 lenses. We used a Canon 7D or 1D Mark IV for all the subway scenes; I could just carry a 7D and shoot on the subway all day with a very small crew. I did some tests with my wife beforehand to figure out my ASA, my stop, and how I was going to deal with the focus. I didn’t use any rigs with it because I wasn’t trying to shoot in the traditional way. I tested a bunch of different exposures and then brought the footage to Charlie Hertzfeld at Technicolor, who put it in the system so I could look at the highlights, the moiré and the resolution. Then I went back to the drawing board to do more tests. The 7D has more depth of field than the 5D, but I needed that because I didn’t have a follow-focus unit and needed to work really fast. I shot everything documentary-style. I did all the focus pulls by hand, and we’d just look at it on the camera’s monitor. I ended up shooting on a Canon 24mm lens at 1,600 ASA to get as much depth of field as possible at a stop of T8.
BlackSwan
Check out this link. This is some cool feature filmaking.
Subway shooting and interview
And it is clear as to why he uses 16mm, the setups are so much shorter as he says.
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