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Author
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Topic: The Wolverine (2013)
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John Roddy
Expert Film Handler
Posts: 114
From: Spring, TX, United States
Registered: Dec 2012
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posted 07-25-2013 02:46 PM
The plot Wolverine goes to Japan to meet an old friend on his death bed and the obviously suspicious characters around him.
What I saw A battle against the Yakuza on top of a bullet train, some sword fights, and some kind of giant samurai robot thingy. I'm pretty sure stuff happened between them, but I may or may not have fallen asleep for those parts.
The result Meh. The action parts carried it along nicely. That bullet train battle was exactly the type of action I want to see in a Wolverine movie: over-the-top and ridiculous, but that's OK because it's not taking itself very seriously, meaning it's just as funny as it is awesome ("very" for both). The first real action scene before that (the Yakuza chase through the city) was also pretty sweet, courtesy of the random archer running across the roofs and the fact that—as Hollywood has taught us—everyone in Japan is either a ninja or samurai.
Everything else? For the love of crap, why are they so determined to force Wolverine into a cheesy love story? It's boring! Didn't they learn anything from their last attempt at a solo Wolverine outing? Those parts just killed it.
Yes, there is a bonus scene in the credits. I do appreciate that they put it right before the rolling credits though instead of after them. And I did like this one because I could almost see the creators standing in front of a poster for The Last Stand and flipping it off. Now that is something I can support.
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Stu Jamieson
Jedi Master Film Handler
Posts: 524
From: Buccan, Qld, Australia
Registered: Jan 2008
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posted 07-27-2013 07:43 PM
After the crapness that was X-Men Origins: Wolverine comes the expected crapness of the (simpler titled) The Wolverine. Surprisingly, and thankfully, The Wolverine flouts such expectations and director, James Mangold, delivers a film more in the flavour of his previous 3:10 To Yuma and Cop Land than the typical overblown superhero flick.
Here the action is shifted from America (which, frankly, we've seen enough of in superhero movies) to Japan where our clawed hero clashes with the Yakuza and (more significantly) the traditions of the ninja and samurai. The result is a refreshingly lo-tech, no-Lycra, character-driven piece which tends more towards Kurosawa than Singer and has Wolverine effectively knocking heads with Japanese Feudalism. With blade against blade, this is a wonderfully natural fit for the ronin Wolverine.
Mangold doesn't quite achieve the lofty goals he sets for himself, however. The prelude to the film which sees Wolverine avenging the honour of a slain, poisoned bear is presumably a metaphor for what happens to him later in the film but the link between the two is drawn weakly and the subsequent significance of the pairing is lost. It's also slightly disappointing that Mangold can't resist the almost obligatory overblown final smackdown, nor can he resist our hero pointlessly bedding the girl - both of which slow the progression of the narrative to a crawl.
But overall Mangold's film is a triumph amongst the noise and clatter of super flicks. It's a pity that the film's obligatory post credits coda points to a return to the norm with the next X-Men entry.
7.5 out of 10
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