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Author
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Topic: The Hunger Games: Catching Fire
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Marcel Birgelen
Film God
Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012
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posted 11-23-2013 08:01 PM
Tonight I got to see the recent installment of The Hunger Games, together with my girlfriend. She insisted on eating at a certain sushi place, so that limited the options of places to see it. We ended up seeing it in Digital IMAX. To me, that hurt a little, because most of this movie was shot in scope, is released in 4K and also features an Atmos soundtrack...
The presentation was average D-IMAX fare: Overly loud, "non-retinaness" and screen-door effects included in the premium ticket price, but at least the picture was bright...
Besides the mediocre presentation, there was one thing that really bothered me, I call it: Aspect Ratio Hell
In the past it was the norm that the director/cinematographer/studio choose ONE SINGLE aspect ratio for the end product. In some cases, the end product was "open matte", so in that case, the projectionist choose the best aspect ratio, but still, that didn't change during the presentation. Besides technical limitations, I guess that's also part of common sense. Nowadays, it seems to be OK to switch around aspect ratios as they please, especially in IMAX presentations. And, the IMAX version of Catching Fire did exactly do that, although it wasn't as crazy as in other features like the last Batman or Mission Impossible movie. It went from scope to 16:9 as soon as "the games" started and went back to scope for the short period afterwards. From the grain in the picture (that transcends more like digital noise), it was quite clear to me that not all "screen fillers" were shot in IMAX.
So, even if you still give a damn about proper masking, it's clear that today's movie makers don't...
Let's get back to the movie itself. I didn't read the books, but my girlfriend did. She read all three of them and she pretty much liked it, she also liked the first movie. She's actually the prime reason I even watched it.
No, I didn't expect much from this movie. That preconception is entirely based on the previous movie, which I found to be utterly boring. It started with the Reaping (the lottery, where they pull in the candidates for the Games), followed by some dead boring training scenes and then *finally* the Games, that also were mostly boring... Also, the cinematography of the last movie was just plain terrible. The shaky cam nonsense really put me off.
So, after I saw the teasers and trailers of this Catching Fire thing unfold, I was becoming afraid that I would be facing a repetition of last years 2.5 hours borefest.
But, I was pleasantly surprised. The second installment of this series far outshines the first one. Which, in the current universe of sequels, is a rather unique experience.
As the victors of the previous Hunger Games tour the totalitarian nation of Panem as part of their victory tour, we get to learn this fictive "universe" much better. We learn that there is a revolution on the uprising, that was ignited by a spark of hope, after what happened during the last Hunger Games. Katniss Everdeen (Jennifer Lawrence) is slowly becoming the symbol of this revolution.
President Snow (Donald Sutherland), together with the new gamemaker Plutarch Heavensbee (Philip Seymour Hoffman), devices a plan to get rid of her, without igniting a new revolution: For the next Hunger Games (which happen to be the 75th), the Tributes will be reaped from the existing pool of victors...
The ensuing situation opens much more conflicts than in the first movie. Also, the characters gain more depth and become more likable in the process. And although the movie still spends considerable time on training exercises and then the Games itself, it's more engaging this way.
Probably due to the fact that the sequels were not yet secured, the ending of the first movie was rather closed. This one, rather obviously ends on a cliffhanger.
In overall, the movie was not nearly as boring as the first one, I actually enjoyed watching it.
In addition to that, there is more good news: Due to the increased budget, they were now able to afford some Steadicam equipment. The end result is a far more stable picture, the shaky cam of yesteryear is largely gone.
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