|
|
Home
Products
Store
Forum
Warehouse
Contact Us
|
|
|
|
Author
|
Topic: Ricki and the Flash
|
Stu Jamieson
Jedi Master Film Handler
Posts: 524
From: Buccan, Qld, Australia
Registered: Jan 2008
|
posted 08-29-2015 05:44 PM
I have a lot of respect for Jonathan Demme. He directed one of the all time great concert movies, Talking Heads' Stop Making Sense; and he directed one of the all time great movies of any genre, The Silence of the Lambs. Which begs the question, what on Earth attracted him to Diablo Cody's script for Ricki and the Flash? Indeed, what on Earth attracted silver screen heavy weights, Meryl Streep and Kevin Kline to the project? Clearly it looked much better on paper.
Cody's script about an aging Lita Ford-type rocker who fritters her life away in rock'n'roll while neglecting her responsibility to her three children has little going for it. The story has Ricki making a belated attempt to reconnect with her adult children after her daughter suffers a messy, emotionally damaging divorce. The tension which exists between Ricki and her cynical and sardonic children, and her hard working well-to-do ex-husband and his new wife, is excruciating for the most part. There's just no getting around the obvious fact that Ricki has made this bed for herself and her family rightly hates her for it. Her feeble attempts to make it right are both sad and pathetic and watching her do it is torturous for the audience. A strange mix for a film which presents itself as light weight entertainment.
The one pleasant surprise in the movie is the inclusion of Rick Springfield. It's easy to be cynical about plucking an 80's pop music heartthrob out of nowhere to play an older version of himself. It seems an unabashed attempt to attract a certain demographic to the movie, and it probably is, but the truth is Springfield gives a heart felt, albeit limited, performance - indeed, he is the heart of the movie.
Streep is unimpressive; merely dishing up a stereotypical cliché of her character and it's painful to watch her vaudeville performance. Kevin Kline is Kevin Kline.
Finally the film attempts to lambast us with "feel good" ending but after all we've endured, it stretches credulity to believe that a happy family could be instantly born through the power of music alone.
4 out of 10
| IP: Logged
|
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|
|
|
|