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Author
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Topic: The Blues Brothers (1980)
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Mike Blakesley
Film God
Posts: 12767
From: Forsyth, Montana
Registered: Jun 99
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posted 01-26-2016 10:20 PM
I watched this last night and found it didn't have a review here, so what the hell.
This is one of those movies that got a lot of bad reviews upon release, but is now widely considered a classic. I expect a lot of the change in attitude is due to John Belushi now being dead, and also the music, which is uniformly tremendous.
For any "youngsters" who don't know about the Blues Brothers, the act started in the early days of Saturday Night Live, when John Belushi was introduced to blues music by Dan Aykroyd. It wasn't long until they teamed up with a group of seasoned jazz and blues musicians to perform on the show. The band made three appearances on the show, which proved enormously popular, so they toured with Steve Martin, opening shows for him. One of the shows was recorded, and became one of the best-selling blues albums of all time. It wasn't long until Aykroyd wrote up a movie screenplay about the brothers, complete with back-story.
The story of the movie is a simple one - Jake Blues (Belushi) is in jail for various robberies. His brother Elwood (Aykroyd) isn't in jail at the moment, but we assume he's had a similar lifestyle. After Elwood picks Jake up from prison, they learn that the Chicago orphanage where they grew up (which is run by a fairly creepy old nun) is going to be sold and closed, unless $5000 in tax money can be raised within a few days.
We learn that the boys used to front a popular blues band, members of which had gone their separate ways while Jake was incarcerated. After the nun at the orphanage refuses Jake and Elwood's offer to pay off the taxes via "filthy stolen money," the brothers decide to "put the band back together" and do a few shows to raise the money. Since the inspiration for this mighty task happens to come during a roof-raising Baptist church service, Elwood declares that "We're on a mission from God."
Much hilarity follows as the brothers proceed to track down their former bandmates and convince them to leave their sometimes-lucrative careers to get back into the music business. They also manage to piss off just about every law enforcement officer (and a gang of Ku Klux Klansman, and a country-western band) in the state of Illinois in the process, which leads to some of the wildest chase scenes ever put on film.
Periodically the action breaks for a rousing musical number, with most of the supporting players in the film being actual musicians. We hear from Ray Charles, Aretha Franklin, and in a show-stopping performance, Cab Calloway, all of whom get great support from the Blues Brothers band itself -- which includes blues luminaries Willie "Too Big" Hall, Matt "Guitar" Murphy, Donald "Duck" Dunn, Steve "The Colonel" Cropper, Murphy "Murph" Dunne, Lou "Blue Lou" Marini, and Alan "Mr. Fabulous" Rubin.
The movie has lots of cameos too, with appearances by Henry Gibson, Steve Lawrence, John Candy, Frank Oz, Carrie Fisher, Paul Rubens, Chaka Khan, and Twiggy, among others. (Yes, there was a person named Twiggy who was popular in those days.) Steven Spielberg also puts in a cameo.
Of course there is a big concert scene, where the cops expect to apprehend the brothers; but this movie has other plans up its sleeve -- it's not nearly over at that point.
All these years later, I don't know which I like better about this film, the story or the music. The chases are great fun to watch, but the songs are too, so it's about a tie. It remains one of those movies that, if it comes on TV, I stop whatever I'm doing and watch it, at least until the next commercial comes on.
I do know that I miss seeing this kind of movie, which is rated R but only for a few "F" words. The movie manages to be fun (and was a major crowd pleaser) without being the least bit raunchy, and has characters you can root for even though they tend to fall on the "wrong side of the law." Modern movies would do well to revisit this one and learn how it was done.
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