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This topic comprises 2 pages: 1 2
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Topic: ECI Box Office Professional Input Needed
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Jack Ondracek
Film God
Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002
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posted 01-23-2004 02:05 PM
I'm also a big fan of RTS. I personally recommend the touch screens (sorry, Brad... personal choice, I guess). We use ELO touch screens here... don't know about the PartnerTech models that Ky uses, but I'd assume they work just as well.
One thing that's really got me sold is the support from the company... something you should consider seriously if you're looking at a used system. RTS upgrades their system often. Almost every week there's an upgrade of some kind... sometimes of use to me, sometimes not. The upgrades are available by download to everyone who licenses the system. They've put a lot of things into the software that I've asked for... and I see this from other users, too. Concession sales, online credit/debit card processing and magnetic or paper-based gift & pass cards all make this a very well-rounded system.
Just be careful if you go with an older system (is the company still around?). You might not wind up with exactly what you want). As you integrate the system into your business you're likely to find things you wish the system would do. A company like RTS will add the items that make sense. With an unsupported system, you'll have to work your business around the system... and of course, there's the issue of what to do if you've got your business in the database & the thing crashes!
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Brad Allen
Jedi Master Film Handler
Posts: 688
From: Evansville, IN, USA
Registered: May 2000
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posted 01-25-2004 03:40 PM
Mark, the basic RTS yearly fee is $250.00 per station per year. Then optional additional $250.00 ea for Credit card server and Internet ticketing. The credit card and internet ticketing price is per location, per year, not per station.
The price of $1500 I quoted, was based on savings of Kevin not buying "two" LCD touch screens.
And on speed of keyboard ticket selling vs touchscreen....you can sell tickets to 3 times as many people with a keyboard than with a touchscreen in the same amount of time. This is based on the theatre having 6 or less screens. Over 6, then the touch wins.
Of course @ a concession station, touch wins hands down.
I tried Sensible Cinema couple of years ago, but decided not to buy it based on Rusty not answering emails with questions I had about it. And at that time, it had a horribly convoluted end of day close out procedure. I may have to check SC out again, as RTS tech support has been slipping the past yr. I think growing pains is taking it's toll.
Mark, where do you find LCD touch screens for $500.00. I paid that for a CRT one. Inquiring minds wanna know.
Ian, what brand computer are you refering to when you say "$2,500 gets you the computer and touch-screen built in to one box that sits on the counter. It also comes with a card reader and a fingerprint scanner." Had not ran across one with a finger printer reader built in.
Jack, that is exactly why a daily data base backup gets emailed to my home office computer. Have you had any issues with the data base not residing on the ticket computer? I talked to Rob about putting the data base on back office computer, and he really was against it. But can't remember his reasoning.
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Rob Chabot
Film Handler
Posts: 5
From: Hartford, MI USA
Registered: Mar 2000
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posted 01-25-2004 06:12 PM
Touch Screens or Keyboards
All our new installs are using the touch screen interface. Some are using the mouse to sell initially. Training users on the touch screen is much easier and faster in most situations. Keyboard selling may be applicable in special situations. For instance if you have a limited number of ticket classes (adult, child, pass) and a small number of screens, it is possible to sell tickets faster with the keyboard assuming your ticket seller knows which title is in each screen without constantly scanning the keyboard. When selling concession there is no comparison, touch screens should be used.
Brad, The finger print reader is an optional add on. The unit that Ian is referring to is the PT4000 which is still available but has been replaced by a better offering.
As for the main database location. I strongly suggest that the main database is located on the main ticket selling computer. Back office machine are usually used for many purposes. Running office applications, internet downloads, music sharing. We prefer to keep the database of the office machine due to windows reboots, reconfigured networking, viruses, etc. Also if your network hub in unplugged, I prefer to have the main ticket machine functioning with the database.
Jack, Each machine on you network creates a backup of the database server every night. If your database server was stolen, we can restore your backup to another machine on the network in a few minutes. I’m not suggesting that you move your database server to the main ticket computer; everyone has a unique situation and must make their own determination.
Computer speed to a certain point is not a factor in picking the database server. Our file access functions are written in optimized assembler. That being said, I would not use a Pentium 90 for more than 4 stations, or a133 for more than 8.
Licensing Costs Ticketing, Concession, or Dual $250 per selling station / yearly. Internet Ticketing $250 per location / yearly + ticket fees Integrated Credit Cards $250 per location / yearly
Back office software is free. All users receive 24 hour emergency support. I have three full time NETWORK CAPABLE technicians in addition to myself to make sure you theatre is operating.
We have approximately 400 locations in all 50 states, Canada, Australia, and US territories.
Hardware can be purchased locally or obtained though us.
Mark, Are you still reselling Sensible Cinema?
Robert Chabot General Partner Ready Theatre Systems http://rts-solutions.com
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