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This topic comprises 2 pages: 1 2
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Author
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Topic: How do you complain about a theater you USED to work at?
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Randy Stankey
Film God
Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 06-14-2004 12:31 AM
I took my wife to see Harry Potter today. Though the movie was good, the presentation was less than stellar.
The right screen channel was dead for the entire show. I'm pretty sure that both surround channels were dead. I'm not sure but I think the subs were down too. There were white "tick mark" scratches down the right hand edge of the screen.
I know who the operator was on that shift. I looked up toward the booth when the show started and I saw him. This guy is pretty conscientious. He's pretty much a "clock puncher" but he does NOT make stupid mistakes. He would have checked and rechecked his threading. He would have checked the sound in the booth monitor but, the way this theater is built (A vintage 1995 Cinemark "Tinseltown" that's been retrofitted to stadium) checking sound in person can be difficult. (Especially if you are the only operator on duty!) If he noticed a problem when he started the machine, he would have fixed it or reported it.
While the previews were playing an usher came along to "scoot" us down a couple of chairs. I would not have done it if the people who wanted the seats weren't handicapped. When he was done seating them I called him over and told him that there was a problem with the sound. I said to him, "Call up to the booth and tell Ted that the right channel is dead."
The problem never got fixed.
After the feature I walked up to the booth window and looked in while the credits were running. The film was playing in SDDS. The reader was threaded correctly and the processor was playing. (All the level meters were going and the Bypass button wasn't lit, etc.)
An usher came up to me as I was leaving and asked me if I had any questions. (He saw me looking into the booth.) I told him, "You've got speakers that aren't working." Just as the standard response, "Not all the speakers play..." came out of his mouth I took him down in front of the screen and stood him right under the bad speaker. It was plainly obvious what the problem was. Again, I told him that he needs to call the booth and tell them what the problem is. I said it plain as day: "Call Ted, in the booth, and tell him that Randy said..." As I left I saw him go back to what he was doing and (appearently) ignore what I just told him.
I just said to myself, "Fuck it!" and went home.
Now, I'm ready to register my complaint. If I just call the theater they'll just say, "Oh, that's just Randy being an asshole..." If I e-mail "Front Row Joe", the complaint will get forwarded to the theater but their reply will be just the same. If I anonymize my e-mail, corporate management isn't likely to take it seriously.
One last piece of information: The booth manager who ran the place after I left quit just two weeks ago. He's gone to greener pastures. I know he ran a pretty tight ship. He would regularly get 95-100% on his booth audits. I'm sure this problem has developed in the two weeks since he left. I'm sure the theater manager will think I'm just slamming the place because my buddy isn't in charge anymore.
Should I have my wife register the complaint?! She's a big Harry Potter fan. She has read every book. She didn't seem to notice because she was so involved with the plot. She thinks I'm being nit-picky. If I had gone out to the lobby to complain she would have been pissed off at me for making a ruckuss.
Advice?!
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Randy Stankey
Film God
Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 06-17-2004 09:08 AM
Dan,
I *HAVE* done that before!
Problem was that it was a Saturday afternoon. Too much traffic through the booth. It would have caused more trouble than it solved. On evenings and weekdays, you can get up there, fix the problem and get out before anybody even knows you were there.
The other problem is that my wife gets *REALLY* peeved off when I do shit like that.
Okay, I gotta' admit that I'm one of those people who can't watch a movie unless I'm the one running the projector. If I notice the slightest thing wrong, I won't be able to sit still in my seat until it's fixed. If I'm running the show, I'll be at the projector about a dozen times throughout the film to make adjustments and tweeks, etc.
I don't do that because I make a lot of mistakes. I do it because I don't think of a movie projector as a "steady state" machine. Movie projectors are "dynamic" machines. You can have the thing PERFECTLY aligned at the start of the show and there will ALWAYS be some adjustment to be made throughout the show. That's just the way they are.
Too many people have the belief that movie projectors are something that you simply turn on and let run. Furthermore, they think they SHOULD BE. When I try to tell people that this is not the case, they think I'm crazy.
How would you like to go to a Broadway play where the curtain goes up then the actors, stagehands and techies all just stood still for two hours? To me, it's the same thing with projectors!
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Aaron Garman
Phenomenal Film Handler
Posts: 1470
From: Toledo, OH USA
Registered: Mar 2003
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posted 06-17-2004 02:21 PM
I'm the same exact way Randy. I am constantly tweeking things when running movies up in booth. At our prescreenings, I'm always the one to start the film up because to be honest, I just think I'll notice more problems than anyone else. Framing, focus, digital sound, etc. will be the things that I make sure are absolutely perfect. I'll never forget our prescreening of Die Another Day when the person who ran the film didn't get it to run in SDDS. All it needed was a little tension. The analog track on that film was not very good either.
As for going in the booth and fixing the problem yourself, it depends on how you do it. If you slip in and out without being notice, I suppose that's cool. If someone else downstairs that knew more than I and wanted to fix it came to help, by all means I appreciate that. However, when someone who doesn't know what they're doing and comes up in booth and messes with things, I wouldn't like that. Helpful help is always appreciated, especially from people who really know what they're doing. If any Film Techer did that for me, I'm sure I'd have no problems. If Phil came up though, I'd have to lock myself in the office and wait for him to pass.
AJG
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