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This topic comprises 2 pages: 1 2
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Topic: Carmike enters the Oregon market
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Bobby Henderson
"Ask me about Trajan."
Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 06-30-2004 05:43 PM
The quality of any Carmike-built theater in recent years is largely determined by its management.
I would say Carmike generally does a good job in the design and construction of its theaters that are built from scratch. How those theaters are maintained is another matter. Some have very caring staffs while others couldn't care less. The Carmike location here in Lawton is nearly 10 years old and still a decent theater. The Sikes Ten in Wichita Falls is not so great and it is only 6 or 7 years old. The big difference is in the management. Jack Connor has many years of management experience and has been the only manager of Lawton's location. He knows the theater very well, loves showing and watching movies, and works hard on keeping the theater maintained. Carmike's Wichita Falls location has seen managers come and go.
Some theaters, regardless of circuit, are so bad that the only way a maintenance visit happens is if a screen goes dark. Some of this can be the fault of upper brass in a theater circuit, but some of it also falls on the shoulders of a complacent manager that just doesn't check on things.
IMHO, the biggest thing which gives Carmike a bad name is all the old white elephant theaters they bought up in the late 1980's and early 1990's in a bid to become the first circuit with 5000 screens (they didn't achieve that goal). I don't think it matters how many screens a circuit has. I think it means more to have the best quality screens, regardless of number. Lots of old 1970's and 1980's era multiplex sites just need to be demolished. Most have no attractive decor, just a very function-only appearance. And most have puny screen sizes and seat counts (not to mention very thin, sound bleeding walls).
Incidentally, Carmike publicly announced plans they will upgrade their Lawton location to stadium seating in all auditoriums and possibly add two more screens. The two screens are needed because of the seat count that will be lost in the stadium conversion. It will be interesting to see how the process goes, and whether the theater will have any THX-certified screens when the process is finished.
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Thomas Procyk
Phenomenal Film Handler
Posts: 1842
From: Royal Palm Beach, FL, USA
Registered: Feb 2002
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posted 07-01-2004 10:36 AM
The one I worked at was a purchase from Plitt. It gives new meaning to the word "dump" and Carmike made it dumpier:
They replaced the normal carpet with these shit "carpet tiles" that looked like something from the dressing rooms of the Flip Wilson show. (1970's looking "J" symbols that connected to each other to form a pattern) These things would soak up soda spills like a sponge, and wouldn't come clean when Stanley Steamer came.
They had huge, nice screens. Even the smallest houses were common-height. All had curtains, too... until Carmike ripped them out. Can't show slides with curtains! It's a shame those screens are fed scratched films from projectors abused worse than [insert borderline-political example here].
Theaters had that wall-paneling (which probably looked VERY 70s, but I never got to see them) stuff to deaden the sound and provide that 70s Multiplex atmosphere. Some theaters were blue, some were red, and some were brown, with seats to match. Carmike ripped all that shit out, and siply hung ugly red drapes all along the cinder-block walls from cieling to floor. You can hear the neighboring movies with NO problem. And you have red drapes with blue seats that looks really tacky.
Management was the worst. The booth was the last priority by far. They wouldn't even air condition the booth to save money, and I would be denied the request to turn it on when I asked even though I was forced to wear three layers of long-sleeved clothing in the Florida summer all day --- and ended up passing out.
Forget spending a dime to make a dollar. These guys would try to pay the rent with food stamps, if they only could.
=TMP=
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Steve Scott
Phenomenal Film Handler
Posts: 1300
From: Minneapolis, MN
Registered: Sep 2000
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posted 07-01-2004 02:32 PM
The Carmike 15 in Apple Valley up here has two main problems:
-Cleaning the lobby. The ushers never really can make the transition of cleaning tile vs. cleaning carpet in the lobby, and often times the auditorium hallways are really messy. Auditorium cleaning is average, but many times I saw ushers there worry more about folding up the armrests, rather than sweep up all the popcorn.
-Presentation. The DTS half of the theater is almost never running in digital. Prints get dirty, often scratched, and the SMART mods (or Panastereo.. I forget what my tech said they use) aren't calibrated very well, so its often a lackluster analog performance. Their #8 THX ceritifed house has a terrible echo and is the only house that uses both DTS and Dolby (this new OR carmike might have one such auditorium). The trailers typically run in dolby, the THX trailer in DTS, and then something defaults incorrectly and the film plays in SR off their CP500.
I had plenty of frustration seeing films there, but if you went on the first couple weekends of a release, you got an alright show. I remember their head projectionist came over to my theater to deliver a standee and he was in awe of our kelmar table. He said he wished he had as good of a table as that.
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