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Author
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Topic: Licensing of DVDs
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Martin McCaffery
Film God
Posts: 2481
From: Montgomery, AL
Registered: Jun 99
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posted 10-03-2010 01:35 PM
Swank, alas, is the king of the hill and the school programs are its serfs. If a school program wants to run movies at all, 35mm or DVD, they are going to have to deal with Swank one way or another. There is very little competition left out there in the non-theatric world.
The reason schools have to pay more, to the best of my knowledge, is the assumption that the programs are subsidized, so there is no risk and therefore Swank wants a cut of the action. Everything is, of course, negotiable, but the kids running school programs are rarely in a position to negotiate.
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Frank Angel
Film God
Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999
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posted 10-08-2010 07:12 PM
We haven't determined yet if Hank is indeed non-theatrical. "...in one of my auditoriums..." could mean he's a multiplex and may want to run a classic for which the studio doesn't have a 35mm print (like THAT doesn't ever happen! In that case, like Mike says, talk to the classics department and usually they will agree to you substituting a DVD, yet treat it as any other theatrical booking.
BUT, Hank, if you are a school or anything other than a established commercial, theatrical operation, then you will have to deal with Swank for most titles, Criterion for some foreign, independent and I think they still have some Fox titles. And yes, Swank wants to assert its right to force non-theatrical (schools, museums mostly) to book thru them. They contract with the studios and pay a hefty fee per title to have exclusive licensing rights for those institutions. In fact, the studio would be breaking it's contract with Swank if it booked a title to a non-theatrical. I actually was talking with a booker at a studio that will go unnamed, and she thought I was booking for my cinema (theatrical), but I was inquiring for a museum. The minute I mentioned that, she stopped in mid-sentence and said, "Sorry. You are talking about a museum? You have to go to Swank. I can't book museums or schools."
Now there are some gray areas, especially with museums which tend to advertise and charge money -- that's pretty commercial, but it's hard to play that card nowadays. My theatre is on a college campus but it is a totally separate entity except that we rent their building. We have been established as a commercial art house for decades and we have an established relationship with the distribs so we don't have much trouble keeping the theatrical status. On the other hand, when we run a film for a student organization or for the college's Film Department, then we book thru Swank.
It really is much more complicated than it needs to be, but it is what it is and as long as you understand their definitions -- and there are gray areas for sure, you will do OK.
Then there is Disney. They are....hmmmm, how can I put this delicately....crazy as freakin loons.
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