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This topic comprises 2 pages: 1 2
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Topic: Digital Fundraising Ideas
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Leo Enticknap
Film God
Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 05-08-2014 10:54 PM
Frank has put his finger on an important issue. To be clear - your operation is a for-profit business, not a non-profit (501(c))? If you are a 501(c), that instantly opens up a lot of avenues for philanthropic and grant fundraising (as an example, the Alamo Theatre in Bucksport, ME, operates successfully as a non-profit). If the closure of your venue would mean that your city would be without a movie theater, then perhaps trying to relanch it as a non-profit and then going after grant and/or philanthropic funding on the grounds that you're providing an irreplacable public service to your community could be a possible way forward. Finding a good professional fundraiser in your area who knows the arts/cultural sector in your state/city/county would be a good first step in exploring that option, IMHO.
But individuals, foundations and grant-awarding bodies aren't going to want to donate to a for-profit business. Quite apart from anything else, the donor couldn't claim a tax write-off, which (s)he could when donating to a 501(c).
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Leo Enticknap
Film God
Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 05-09-2014 10:04 AM
Without wanting to sound too much like a know-it-all, agreed completely, and furthermore, this was the opinion I was expressing when the scheme was getting off the ground in the early '00s. My worries included the system being based on a hardware/software spec that was proprietary to a single vendor (Arts Alliance) and the fact that at that point, DCI 1.0 was already in an advanced stage of development - the writing was already on the wall that it was going to happen and that Hollywood was going to take it seriously - and £15m was being spent on a system that was fundamentally incompatible with it in the form that it was being delivered.
Furthermore, at that time the cost of film scanners and the post-production equipment and software needed to create 2K d-cinema from film was still so high that only Hollywood could afford it: the idea of small, arthouse distributors or archives using it to encode niche market titles (the justification given for spending taxpayers' money on the project = "freeing arthouse cinema from the tyranny of 35mm" as David Buckingham memorably put it) was not realisitically on the table at that point: rewind to 2003-06 and striking a small number of 35mm prints was still a vastly cheaper and more efficient way of getting your arthouse or re-release movie to the people in Britain who wanted to see it.
With the benefit of hindsight, things really started to move in 2009-11 for cinema installations. If the DSN project had been delayed until around now, when the technology has progressed to being able to provide sub-£100k decent cinema installations, and students, indie filmmakers and small archives can create DCPs for them on their desktop computers, it would have been taxpayers' money very well spent, especially if targeted at smaller, arts centre type places that are now struggling to convert. But coming when did, I honestly don't believe it achieved an awful lot.
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Mike Blakesley
Film God
Posts: 12767
From: Forsyth, Montana
Registered: Jun 99
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posted 05-09-2014 09:51 PM
quote: Robert E. Allen My regular admission price is $4 Mike for all ages.
Wow, I don't know how you get away with that. The "per cap" clause in the studio contracts will make that price too low in some cases. That's lower than our PRE-SCHOOL price. Our adult price hasn't been $4.00 since the late 1980s! And you're in a bigger town than we are with twice as many screens as we have.
I know you like to be the low cost option for people, but I don't think ANYBODY would fault you if you went to, say, $6.50 for adults and $5.50 for kids. I'm sure your people really appreciate the low, low prices but if they knew those prices are going to put you out of business, do you think they would object if you went up? I don't. You've got to charge what your product is worth.
If you gave, say, a month's notice that you were planning a digital upgrade and needed to raise the prices to help pay for it and got an article (and maybe an ad) in the local paper to explain it, unless you are living in the darkest pit of a depressed economy, nobody will have a problem (well, except little old ladies who gripe about everything). You could also go on your morning news-talk show on your local radio station and talk about it.
You could also use higher prices to help you secure financing. If you took your attendance figures from the last couple of years and did the math to show how much more money you would be bringing in with updated prices, the bank will look more favorably on it.
If you don't have it already, you should also look into screen advertising, which can bring in a good amount of money. I long resisted running pre-show ads myself, but we finally started an ad program in January that is going to help us finance our next upgrade. As of today I have had absolutely zero complaints about it from anyone, in fact I've had some compliments from people telling me the ads are cool because they show local people on the screen.
The bottom line is, you're just going to have to show the bank (or whoever) that you can make the payments. If you can't do that....well...
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