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This topic comprises 2 pages: 1 2
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Topic: RIP The Ziegfeld Theatre, 1969-2016
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John McConnel
Expert Film Handler
Posts: 118
From: Okmulgee, OK USA
Registered: Nov 2003
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posted 01-23-2016 05:55 PM
I saw TOMMY in 70mm 6-track at the Ziegfeld. Sound was billed as "quintaphonic", and at the sunburst, your ears were aurally assaulted and your eyes were visually assaulted! I was taken by the sound. When I returned to Oklahoma, I dusted off the magnetic sound systems in two of my small-town theatres to show it, and assaulted the eyes and ears of the country folks, who loved it. It doesn't take many watts to Altec A-4s in a small theatre to deafen you.
On an earlier trip to New York, I saw CLEOPATRA in 70mm at the Rivoli. The theatre was sold out, except for four seats on the extreme left side of the front row of the left downstairs section of seats. I was only a few feet from the left side of the screen, and it was necessary to twist and crane my neck to see the movie. My neck was sore by the end. I don't remember much about the story, but do remember Elizabeth Taylor's breasts on the huge screen -- and the sore neck.
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Bobby Henderson
"Ask me about Trajan."
Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 01-23-2016 08:57 PM
I've been a participant in Film-Tech's forum for a long time. So it seems fitting to put my 10,000th forum post into a thread celebrating the memory and mourning the pending demise of New York City's Ziegfeld theater.
I lived in New York City five years and during that time I watched a lot of movies at the Ziegfeld. I'm pretty sure I've seen more movies in 70mm there at that venue than any other theater. It was my favorite theater in Manhattan and during the late 1980's Manhattan had a pretty decent selection of movie theaters, many of which showed 70mm on a fairly regular basis. More often than not the Ziegfeld was the one hosting the world premiere shows.
Lawrence of Arabia in 70mm Dolby SR was fantastic there. It really made me appreciate the difference between a movie blown up from a 35mm source and something that was truly 70mm. I watched that for the first time after being kind of disappointed with a blow-up 70mm screening of Batman at Cinema One. Spartacus was arguably an even bigger thing since Robert Harris was there before the screening giving Gene Stavis' film history class from School of Visual Arts a brief yet interesting lecture about the work that went into its restoration. I'll always remember Gene sat far up front, practically in the front row and off to the far right of the screen to watch the movie while most of us students piled into the center of the seating area.
Some of the other movies in 70mm I enjoyed there: The Abyss, The Bear, Mountains of the Moon, Edward Scissorhands, Born of the Fourth of July, Days of Thunder and The Doors. I know I have watched more movies there in 70mm, but those are just the ones I can draw from memories of more than 25 years ago. I think Backdraft was the last movie I saw at the Ziegfield, also in 70mm.
The past week has been pretty rough. Some celebrities I really liked (David Bowie, Alan Rickman, Glenn Frey) died. A friend of mine, Travis Tollette, also a fellow graphic designer, died last week after developing hypothermia during a wheelchair marathon race in Wichita Falls. I attended his funeral earlier this afternoon. This guy broke his neck in an ATV race accident in Colorado in 2007 yet he found ways to keep racing, as well as become a talented graphic designer and photographer. It hurts like hell to lose an inspirational person like that.
So the news that the Ziegfeld will soon be gutted to become a place to host wedding receptions or whatever is just piling on the bad news now. That's another place of which I have great memories. That theater's end hits me the same way as the closing of the General Cinemas Northpark 1-2 in Dallas. The powers that be should have found some kind of way to keep the movie theater open. If it was losing millions of dollars I don't think they were selling it to the public in the right way. The Ziegfeld was a World Premiere class movie theater. The damned thing is a tourist attraction and a must-visit place for most serious film fans. Once the Ziegfeld is gone there really won't be much, if any justification at all to hold a movie's world premiere in New York anymore.
The movie industry really has to think long and hard about just what they're doing with movie theaters. From my point of view, they're pushing people to their living room HDTV sets more and more. The average all-digital multiplex theater is very good in some respects but very unremarkable in other respects. Venues like the Ziegfeld were one of a kind.
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James Wyrembelski
Expert Film Handler
Posts: 114
From: Beaverton, MI, USA
Registered: Sep 2015
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posted 01-24-2016 09:03 PM
I think the idea that it wasn't being sold to the public in the right way had more to do with it than anything else. I mean, I completely understand single screeners are so difficult. But, after reading a few other news articles on this closing I paid attention to all of the comments from locals that followed them up. It appears most were calling for more art/indie type films from this location, especially since two cineplexes nearby were always playing the same films. Even then, perhaps it still would have been a long shot. It appears they just were not interested enough in the product they decided to play, and the length of time they had to hold on to it just made it worse.
New release for weeks with one screen and competition close by just doesn't spell out to me. But, I'm not in the industry either, so what do I know? I cant imagine trying to pay the taxes alone at this location from one film for weeks. Metro area taxes boggle my mind....one of the many reasons I high tailed it right back to the rural setting.
Its a shame, but at least it won't be dozed. Perhaps a glimmer of its former glory can still be retained.
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