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Author
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Topic: Building and Auditorium Lighting Automation
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Carsten Kurz
Film God
Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009
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posted 11-19-2018 10:25 AM
The easiest way, using of the shelf components, would be a cinema DMX interface (like the JNIOR), a DMX desk, and a DMX Merger to combine both control inputs. This would work to a certain extent, but would fail for some scenarios, e.g. manual override of preprogrammed DMX cues from the server. With a merger, you can not block commands being sent from either dmx source on a by case scenario. Not easy, because DMX always transmits a state of a full DMX universe, not just timed commands. One possible way to overcome this is to find a way for the server to trigger cues on the DMX desk.
- Carsten
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Marcel Birgelen
Film God
Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012
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posted 11-20-2018 08:28 AM
You should check your Clipsal C-Bus controller, it should have an RS232 interface and most likely also a TCP/IP interface. You can use those to interface.
Now, I've never interfaced between a Clipsal C-Bus controller and a DMX setup, but I guess that's also what you don't want to do.
In venues where the cinema server needed to control some of the DMX, we had a DMX controller that also had a TCP/IP interface. As long as everybody kept their hands off of the DMX lightning console as long as the cinema server was controlling the show, everything was fine.
In a more complex environment, where there were up to 8 different usage scenarios for a given room, we've employed real show controllers like the Alcorn McBride V16 Pro, together with their DMX gateway and QSC Q-Sys to route the audio.
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