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This topic comprises 2 pages: 1 2
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Topic: There was no free admission show for Christmas this year
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Mike Blakesley
Film God
Posts: 12767
From: Forsyth, Montana
Registered: Jun 99
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posted 12-14-2018 05:59 PM
We are closed on 100% of Christmas Eves. I don't give a crap what the studio says, that's just not an option for us. (None have ever objected, not even Disney.) But we always have a pretty decent crowd on Christmas Day.
Back in my 'party years,' we were closed New Year's Eve, too, but the year the original Toy Story came out we decided to play it that night, on the premise that people could drop of their kids while they went to a party or two. We had a really nice crowd that night so we've been open every New Year's Eve since.
We used to ALWAYS have at least one free matinee every year before Christmas, until matinees of old movies became sort of a losing proposition due to home video. When that happened we started using the movie we were playing if it was suitable, or bringing in a PG-film we had missed during the year.
Then the movies started getting so expensive that "free" was no longer an option, so we started doing discounts, sometimes sponsored. The prices vary depending on how much money the sponsor wants to kick in. This year we're doing "all kids get to see The Grinch free" the 16th, and a regular-priced show of Mary Poppins returns the next week. Plus we're running an all-seats-$5 show of "It's A Wonderful Life" to benefit the local hospital tomorrow.
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Leo Enticknap
Film God
Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 12-14-2018 07:03 PM
If you can find an original 1940s print of It's a Wonderful Life, then it's public domain and you can have at it.
However, most of the versions in circulation today are restorations or remasterings, with all rights reserved in that component, even if the original footage has lapsed into the public domain or was never covered by copyright in the first place. The cynic in me would point out that it's no coincidence that the most enduringly popular classic oldies (Lawrence of Arabia, The Red Shoes, you name 'em) seem to be the subject of a major restoration every decade or so, even though they are already preserved in far better condition than 99.9% of our surviving cinema heritage. The reason is to keep them perpetually in copyright.
Last year I received a cease and desist letter from a major record company, regarding a video of my two-year old son playing I put on YouTube (scarily, as a private video, unsearchable, uploaded to YT simply as a convenient way for relatives to see it - but the record company still found it), to which I had added a soundtrack of a jazz record published in the UK in 1926. I responded, pointing out that the soundtrack was of a digital capture of an original release copy of the 78 that I owned (I included a photo of the record), and citing the relevant sections of the UK Copyrights, Designs and Patents Act and the Berne Convention to point out that copyright in this record had expired, and that in fact, I owned the copyright to the version on the video, because I did the capture and remastering (which, like a movie restoration, is itself is a standalone piece of intellectual property). I never heard from them again, and YT accepted my challenge to the request to take the video down. I suspect that 99.9% of the people they bully like that just roll over, but I wasn't going to.
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