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This topic comprises 2 pages: 1 2
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Topic: Longer running times.....
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Mike Blakesley
Film God
Posts: 12767
From: Forsyth, Montana
Registered: Jun 99
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posted 04-08-2019 09:39 PM
That's a cause NATO could take up, and make an initiative that any movie over, say, 150 minutes should have an optional intermission. (In a perfect world, it would be any movie over 130 minutes.)
The movie could arrive in three DCPs; Part One, Part Two, and the whole movie in one package.
Outside of the whole "it cuts down on showtimes" thing, I don't understand the resistance to intermissions. I think the industry would only benefit from it -- and theaters would benefit more, because they'd get more concession sales. If you're only going to run a movie two or three times in a day anyway, adding a ten-minute break onto each showtime wouldn't make that much difference, so studios wouldn't lose any ticket sales. In fact, since people were enjoying the movie more, they might gain more sales over time.
Admittedly, the studios would have a little more expense in creating multiple DCPs. So what the hell, add on maybe a quarter of a percentage point and call it an intermission fee.
Of course, previous NATO initiatives haven't exactly been roaring successes... there's the failed trailer sound initiative, and the failed "don't release any posters or trailers more than six months before opening date" initiative, and probably a few more. So I don't know how you'd get an intermission campaign off the ground. Maybe a letter to Hollywood Reporter or Variety.
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Marcel Birgelen
Film God
Posts: 3357
From: Maastricht, Limburg, Netherlands
Registered: Feb 2012
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posted 04-10-2019 12:32 AM
quote: Mike Blakesley In the film days, there was one Montana exhibitor (now deceased) who had 3 locations, all of whose policy was to stop the film after the middle reel for intermission. No matter what was going on in the movie.
He said his crowds loved it, but it probably played hell with the movie itself in a lot of cases, knocking you off the rails when the story was just getting really good.
Something I'd call "forced intermissions" (like, introducing an intermission in every movie) have been a very persistent, but local phenomenon.
Most cinemas in my current vicinity, for example, introduce such intermissions in each and every movie.
Back in the film days, it wasn't unusual to just put the intermission reel in the middle of the movie, e.g. after reel 5.
In the cinema I last worked during the 35mm days, we actually did a full QC screening of every movie, when possible. We determined what we thought was a good moment for an intermission and spliced it in there. In some rare cases, you would actually get an advice from the studio, regarding an intermission.
You could say that putting in an intermission at a somewhat arbitrary position is messing with the movies, but not putting one in was messing with the crowd, because they really expected there to be an intermission.
For example, we didn't put in an intermission into movies that where just 1.5 hours or shorter, but we received numerous complaints about the lack of an intermission, yet I don't remember ever getting a compliant about having an intermission.
In a not really representative but still interesting poll from 2014 among Dutch movie-going public, done by a popular Dutch movie review site, about 60% of those who were asked indicated that they preferred an intermission, no matter what the length of the feature was.
Still, I think intermissions are a bit of a controversial topic. If it's done right, I'm not against it. But, some of the theaters around here, for example, handle their intermissions in a very botched up way. Instead of looking for a good moment to pause the movie, they just put the show on pause halfway the show, no matter if it interrupts an engaging dialog or a high-octane action scene...
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