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Author
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Topic: subletting theater, private groups
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Leo Enticknap
Film God
Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 09-16-2019 04:32 PM
1 - if they're purely renting your theater, and you're not involved in the programming side of it at all, then a clause in the rental agreement to the effect of they supply the movie, they are doing so entirely legally, and they indemnify you against any issues as far as that goes, should put you in the clear.
2 - Sounds more dubious to me. They would need to buy a nontheatrical* screening license for whatever they wanted to play, from a company such as Swank, that specializes in this market. Essentially the same deal - you'd need a signed agreement that they have fulfilled all of the licensing requirements, and indemnify you against any and all consequences of failing to do so.
3 - I don't like the sound of this, as they want you to do the programming and booking work, and possibly take some of the risk. If it were me, I'd offer them a straight rental of the theater on the same terms as 1, but not to take on any of the programming, or the financial or legal risks.
* Nontheatrical - screening of a movie to an assembled audience, the members of whom do not pay an individual admission fee. Playing movies in schools, bars, on airliners, etc., would be an example.
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Martin McCaffery
Film God
Posts: 2481
From: Montgomery, AL
Registered: Jun 99
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posted 09-16-2019 04:40 PM
First things first: If it shows in your theatre, you are responsible for clearing the rights. They cannot come in and show a DVD/Blu-Ray without clearing the rights, and some distributors will not allow showing their movies on Blue-Ray/DVD. This my be a dealbreaker with some people, especially if they don't want to pay the rights clearance. Too bad, welcome to reality (it doesn't matter if they charge admission or not). IF they want to do a charity fundraiser, you negotiate the rate with the distributor. If you book a film for four nights and show it for four nights, you've fulfilled your obligation to the distributor. Be honest with the client and the distributor and everyone should be ok. All of these ideas can be good ways of making extra cash, so look into them, but be professional about them or you'll lose money. You will also be entering the murky world of Theatrical v Non-theatrical. It seems every booker at every distributor treats this differently, so have a talk with them before you do anything. It is usually cheaper to show things Theatrically, but they won't always let you. There's plenty more involved, but that's showbiz.
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