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Author
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Topic: Universal Sending new Cats version with revised VFX
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Jim Cassedy
Phenomenal Film Handler
Posts: 1661
From: San Francisco, CA
Registered: Dec 2006
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posted 12-24-2019 05:44 PM
This morning I heard a "technology reporter" do a story on the radio about this. He's based in Los Angeles, and I happen to know the studio where he records his material is literally across the street from Warner Bros. In his report, he said that "according to the studio, this was nothing more than "a software update" they were sending out to all the theaters' servers, & that it would be done "by satellite or over the internet"
This once again confirms what I've run into many times- - studios & studio reps usually have no friggin' idea of what goes on in the exhibition side of the business!
Two weeks ago, I had a 10am Press Screening of "1917" that was scheduled with less than 24hrs notice. They were going to have to send a DCP by courier up from Los Angeles, it was going to arrive after 10pm the night before, & in an e-mail they said somebody was going to need to either work very late or start work at about 5am because it was going to take 4 HOURS ( ! ) to ingest, "because the movie is in 4K".
I fired off an e-mail to the studio explaining that I had already done an industry screening of a TEMP version of "1917" about a week earlier and that while on some systems and under some circumstances it might take 4hrs to do an ingest, I could assure him that it wasn't going to take ME 4friggin' hours to do the ingest!! Less than 10min later the studio-guy called me on my cell phone and I managed to convince him I knew what I was doing, and I did not have to camp out in the projection room overnight. When the DCP arrived, I stuck it in the serverthingy (DSS-200) and went home. A bit later on, I logged in remotely from home and the ingest was done. I checked the server log, & the ingest (132GB) had taken just under an hour, which was EXACTLY what I told them it would take.
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