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Author
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Topic: First and Ten (American Football)
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 04-02-2001 01:13 PM
Ever wonder how the TV networks "paint" that digital orange line on the football field, to show the line that must be crossed to make a first down? Here's a link to how it's done: http://www.ednmag.com/ednmag/reg/2001/03292001/07hiw.htm "The process does not come small, cheap, or easy. The Sportvision 1st and Ten system encompasses four SGI computers, one PC, a trio of data-acquisition computers, three sets of encoders, and more. Synchronizing all the incoming data streams and video streams, to ensure that they match properly and that the computer draws the graphic on the correct video field, is a difficult task." ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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Mark Lensenmayer
Phenomenal Film Handler
Posts: 1605
From: Upper Arlington, OH
Registered: Sep 1999
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posted 04-02-2001 01:43 PM
Thanks for the link, John. That is a very interesting piece. I read a very similar article in the New York Times last year right before the Super Bowl.It would seem that just drawing a line on the screen would be a simple task, but there are many MANY variables that go into these calculations. Making the line appear as if it is on the ground, so that anything moving above it covers it up, involves some very fast calculations. I've also noticed that the line does not cover up any special painted images on the field. The "matrix"-like spinning camera tried at this years Super Bowl was a bit disappointing. It was not very smooth. Probably by next year they will have this one better. A possible idea would be to create a straight down look at the plays, much like a coaches drawing board. You could then see the entire play coming together, and who made what mistakes. This would be a view from about 500' to 1000'. It could be calculated from a couple of sideline views, I imagine. Just something to think about, anyway. Mark Lensenmayer
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