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Author
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Topic: Private Screenings
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Peter Berrett
Jedi Master Film Handler
Posts: 602
From: Victoria, Australia
Registered: Nov 2000
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posted 06-23-2001 08:18 PM
Hi allI have a few questions about private screenings of films in theatrettes. 1. Do your cinemas allow this? 2. Is it expensive? Is it popular? 3. Is this a growing area of your business? Thanks Peter
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Peter Berrett
Jedi Master Film Handler
Posts: 602
From: Victoria, Australia
Registered: Nov 2000
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posted 06-24-2001 03:55 AM
Sounds ok. Those big movie studios won't care much about the loss of a little revenue. They're generous to a tee. But what if the film you are interested in is foreign and a few years old? Is it easy (and cheap) for the theatre to get a hold of a 35mm print? cheers Peter
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John Scott
Master Film Handler
Posts: 252
From: Oakdale, MN, USA
Registered: Jul 2000
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posted 06-24-2001 11:23 AM
At my theatre, I do a monthly bank show for their senior citizen customers, and we get older, non-release films from the Classics division of the various studios. Costs on those print rentals can range from 100 bucks to 500 bucks. As a theatre manager, you pretty much have to at least double that cost (with no free vending, otherwise the cost again increases) to make a profit.For example, we let them order movies in the 150 dollar range, provide donuts and coffee for the seniors, and make the tickets for the 2 showings before we open. We charge them around 600 for the show.
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Tom Sauter
Expert Film Handler
Posts: 163
From: Buffalo, NY, USA
Registered: Sep 2000
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posted 06-29-2001 11:59 AM
The majority of our business is in private screenings, so we charge a rental fee for the use of the theatre, the equipment, the projectionist and an usher. The film's origin is entirely up to the exhibitor unless they specifically request that we make the arrangements for the print. If tickets are sold they must use our box office and give us a cut.As a rough estimate for what a whole private screening costs, I usually tell clients to be prepared to shell out $1000 for the day (our fees plus exhibition rights.) This is a popular arrangement for directors who wish to screen dailies, gala openings, private parties, and film classes. We assign all liability for revenue reporting to the person renting the theatre, and they must provide proof that they have rights before I'll screen the print.
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Steve Scott
Phenomenal Film Handler
Posts: 1300
From: Minneapolis, MN
Registered: Sep 2000
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posted 07-15-2001 11:58 PM
I generally show the new releases for my floor staff at midnight on the release date of the film (just in case the studios sent microscopic cameras in the can with the print ) This keeps them happy, and we can have fun criticizing the movie out loud & laughing really hard cause there's no one else in the place (except for the cleaning service, but they're in the lobby cleaning up & they don't speak english anyway...)Our corporate management doesn't mind this, but a week ago, one of my projectionists decided to show Legally Blonde without asking our General Manager first, and the GM banned our showings for a few days. That was until I talked to him one of his better days, and he reinstated the showings. But I'll probably keep doing these until I find greener multiplexes of employment, cause (let's face it) sitting in a theater with 200 other people who are chomping popcorn, slurping on empty cokes, and talking on cell phones isn't what I call seeing a movie! ------------------ I hope that after I die, people will say of me: "That guy sure owed me a lot of money!"
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