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This topic comprises 2 pages: 1 2
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Author
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Topic: Interesting Parallels
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David Stambaugh
Film God
Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
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posted 01-13-2002 11:56 AM
This is my first post to film-tech and I'm kind of nervous, so please bear with me. My hobby is refurbishing and restoring late-model solid-state pinball machines. Modern pinball machines (say, 1990 and newer) require a LOT of maintenance and general TLC if they are to work as their designers intended. Heavily-played pinball machines deteriorate rapidly if neglected by their owners. The owners of games you see on location (such as in theatre lobbies) are usually route operators who run amusement machines at many locations. As a group, route operators only care about the bottom line, and have no particular interest in or love for pinball. It just provides income. The parallels? As in film, there are dedicated pinheads (and even a few route operators) who love the games, and who get as much pleasure (maybe more, as in my case), from keeping their games in perfect cosmetic & working condition so that players will have the best possible playing experience. I mean, pinheads fret over things like what is the best playfield cleaner, who makes the highest-quality rubber rings, even who sells the smoothest and most-perfectly-round pinballs (BIG debate over that last one!). In my case, although I am not in the film business, I am interested in everything that goes on in the booth to put on a good show. From hanging out here, it's evident that a core group of "film handlers" works hard to do better than the corporate-mandated minimum, with the goal of making the show as good as it can possibly be. It drives home for me the fact that there is "passion for the craft" in probably all fields of endeavor. The general public may unfortunately be oblivious to this fact, but they know whether they enjoyed a show (or playing a game). They may not be able to articulate *why* they had a good experience, but we know the answer is the people behind the scenes who care about doing a good job, even in the face of all the obstacles thrown in their/our way. OK, this is getting too deep, so I will stop now. I just saw some interesting similarities between what you do and my hobby... -dave
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Ken Lackner
Phenomenal Film Handler
Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001
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posted 01-13-2002 12:13 PM
David,Welcome! If you are interested in "Film Done Right," as we like to call it, you have come to the right place. You are absolutely correct in your observation about the similarities. I find, however, that the problem is not so much with corporate executives who don't care, but most of the operators at the theaters. To them, it is just a job. Try working at a theater where none of the other operators share the passion. Believe me, it is frustrating! BTW, as you may have noticed, we have our debates too -- what is the best way to clean a projector? What is the best kind of splicing tape? Best kind of splicer? (Seems like that one of our big ones.) So can I get a good deal on one of the 25th Aniversary Star Trek pinball machines? Ken ------------------ This one time, at Projection Camp, I stuck a xenon bulb....
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David Stambaugh
Film God
Posts: 4021
From: Eugene, Oregon
Registered: Jan 2002
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posted 01-13-2002 01:05 PM
Ken, Thanks. I didn't mean to blame corporate owners for all the woes in your business, although they are the starting point for setting local policy. You are right, it's the local people who make the difference.Star Trek 25th Anniversary is my favorite Data East game. Data East games are generally not not highly-regarded among pinball snobs, but I really like this game myself. By the way, Data East was bought out by Sega, which in turn is now Stern Pinball. Stern is the only pinball machine manufacturer that still survives. Williams (which bought Bally in the early 90s) got out of pinball in late 1999. Pinheads generally favor Williams games. Data East games are somewhat scorned, somewhat unfairly. But I really like Star Trek. Anyway, I don't have a lead on one for you, sorry! You work for Regal, right? PLEASE move to Eugene and help the local Regal location (Cinema World 8) get its act together! They are falling apart at the seams. Used to be a GREAT place to see a movie, especially in the big auditoriums, 3 & 4. They have so many problems now I cannot enjoy movies there any more. I will save that story for another post perhaps... -dave
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Ken Lackner
Phenomenal Film Handler
Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001
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posted 01-13-2002 01:11 PM
David,Sorry to hear about all the trouble at your local theater. Unfortunately I am not in a position to move right now, as I am finishing school. (Out-of-state tuition is a biatch!) Perhaps if you send me an email describing some of the problems, I'll talk to someone about getting a certifier out there. No guarantee that the operators being "certified" would help, but it's a start.... ------------------ This one time, at Projection Camp, I stuck a xenon bulb....
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Dennis Atkinson
Expert Film Handler
Posts: 129
From: Birch Run Michigan
Registered: Feb 2000
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posted 01-13-2002 01:52 PM
Some of the first arcade machines were made by the same companies in NYC that made movies. They packed up, sold the arcade venture and went to California to make movies in the sunshine.Fast forward about 85 years. The arcade industry is pumping out games as fast as they can. Many with bugs in them. People are playing like mad. New ideas are fewer & fewer and the craze is dying but prices of the games keep going up while the life of them is shorter. The buyers stop buying as much of the product as fast as they once did. So the companies decide home video is the best way the cash in on old programs and new. Now the street dates of the arcade version isn't that much diffrent than the home version. Sometimes their reversed! This is why most game rooms you see today have the larger / sitdown games. Operators believe "the public doesn't have this at home" so it has to make money. Guess what! I doesn't make a diff. They will wait for the game to come out on Nintendo, small controler and all. The arcade and film industry are a lot alike. Dennis
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Randy Stankey
Film God
Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 01-13-2002 10:14 PM
Yeah, and another parallel is that pinball machines are going from electromechanical to electronic to virtually all digital. The new PB-2000 pinball machines have a video display in them that reflects the image onto a 45 deg. angle glass plate that projects a Schuftan image (AKA: "Pepper's Ghost") onto the playfield.It's a nice idea but it's hard to see the ball moving on the playfield under all the flashing images from the screen. The quality of the image is kinda' hazy from being reflected off a piece of glass. Then if the front glass isn't perfectly clean it's virtually impossible to play the game. Basically, "they" (the manufacturer) are making pinball machines into video games. If that's the case, then why bother paying the increased prices for something I could play at home on my shiny new X-Box? When I was a kid, most pinball machines cost 25 cents for a 5-ball game and you got a free game for scoring over 100,000 points. (When the dials turned over from 99,999 to 00,000... Hence, the reason why winning a free game was called a "turnover".) Now, it's hard to find a 5-ball game for 50 cents. PB-2000 games sometimes even cost $1 and you don't even get free games! Top this all off with the fact that most pinball machines are poorly maintained and don't work half the time and it's no freakin' wonder I hardly play pinball anymore! As far as I'm concerned, pinball machines and movie projectors are the two coolest kinds of machines in the world. It really pisses me off when I go into a place and find a pinball machine all dirty and half-broken. It REALLY gets my goat when I mention the fact the the person in charge of the place and I get an indifferent answer like, "Oh, It's been busted for a long time." If pinball machines are any indication, movies are DONE for!
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